Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
Mr. I. C. Russell, in his sketch of New Zealand, published in the
American Naturalist, Volume XIII, p. 72, February, 1879, remarks, that
the desire of the Maori for ornament is so great that they covered
their features with tattooing, transferring indelibly to their faces
complicated patterns of curved and spiral lines, similar to the designs
with which they decorated their canoes and their houses.
In Mangaia, of the Hervey Group, the tattoo is said to be in imitation
of the stripes on the two kinds of fish, avini and paoro, the color
of which is blue. The legend of this is kept in the song of Ina´. See
Myths and songs from the South Pacific, London, 1876, p. 94.
Mr. Everard F. im Thurn, in his work previously cited, pages 195-’96
among the Indians of Guiana, says:
Painting the body is the simplest mode of adornment. Tattooing or any
other permanent interference with the surface of the skin by way of
ornament is practiced only to a very limited extent by the Indians;
is used, in fact, only to produce the small distinctive tribal mark
which many of them bear at the corners of their mouths or on their
arms. It is true that an adult Indian is hardly to be found on whose
thighs and arms, or on other parts of whose body, are not a greater
or less number of indelibly incised straight lines; but these are
scars originally made for surgical, not ornamental purposes.
The following extracts are taken from Samoa, by George Turner, LL.D.,
London, 1884:
Page 55. Taema and Tilafainga, or Tila the _sportive_, were the
goddesses of the tattooers. They swam from Fiji to introduce the
craft to Samoa, and on leaving Fiji were commissioned to sing all the
way, “Tattoo the women, but not the men.” They got muddled over it in
the long journey, and arrived at Samoa singing, “Tattoo the _men_ and
not the women.” And hence the universal exercise of the blackening
art on the men rather than the women.
Page 88. “Herodotus found among the Thracians that the barbarians
could be exceedingly foppish after their fashion. The man who was not
tattooed among them was not respected.” It was the same in Samoa.
Until a young man was tattooed, he was considered in his minority.
He could not think of marriage, and he was constantly exposed to
taunts and ridicule, as being poor and of low birth, and as having no
right to speak in the society of men. But as soon as he was tattooed
he passed into his majority, and considered himself entitled to the
respect and privileges of mature years. When a youth, therefore,
reached the age of sixteen, he and his friends were all anxiety that
he should be tattooed. He was then on the outlook for the tattooing
of some young chief with whom he might unite. On these occasions, six
or a dozen young men would be tattooed at one time; and for these
there might be four or five tattooers employed.
Public-domain text, read in full here on John Shaqi.
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