Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
which differ in their times of commencement and ending from that of
Lone-Dog and from each other, removed any inference arising from the
above-mentioned coincidence in beginning with the present century.
Copies of the paper publishing and explaining Lone-Dog’s record were
widely circulated by the present writer among Army officers, Indian
agents, missionaries, and other persons favorably situated, in hopes
of obtaining other examples and further information. The result was a
gratifying verification of all the important statements and suggestions
in the publication, with the correction of some errors of detail and
the supply of much additional material. The following copies of the
chart, substantially the same as that of Lone-Dog, are now, or have
been, in the possession of the present writer:
1. A chart made and kept by Bo-í-de, The-Flame (otherwise translated
The-Blaze), who, in 1877, lived at Peoria Bottom, 18 miles south of
Fort Sully, Dakota. He was a Dakota and had generally dwelt with the
Sans Arcs, though it was reported that he was by birth one of the Two
Kettles. The interpretation was obtained (it is understood originally
at the instance of Lieutenant Maus, First United States Infantry)
directly from The-Flame by Alex. Laravey, official interpreter at Fort
Sully, in the month of April, 1877.
The fac-simile copy in the writer’s possession, also made by
Lieutenant Reed, is on a cotton cloth about a yard square and in
black and red--thus far similar to his copy of Lone-Dog’s chart,
but the arrangement is wholly different. The character for the
first year mentioned appears in the lower left-hand corner, and the
record proceeds toward the right to the extremity of the cloth, then
crossing toward the left and again toward the right at the edge of the
cloth--and so throughout in the style called boustrophedon; and ending
in the upper left-hand corner. The general effect is that of seven
straight lines of figures, but those lines are distinctly connected at
their extremities with others above and below, so that the continuous
figure is serpentine. It thus answers the same purpose of orderly
arrangement, allowing constant additions, like the more circular spiral
of Lone-Dog. This record is for the years 1786-’7 to 1876-’7, thus
commencing earlier and ending later than that of Lone-Dog.
Public-domain text, read in full here on John Shaqi.
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