Picture Posters: A Short History of the Illustrated Placard with Many Reproductions of the Most Artistic Examples in all CountriesHiatt, Charles
History
Picture Posters: A Short History of the Illustrated Placard with Many Reproductions of the Most Artistic Examples in all Countries
Hiatt, Charles
Posters -- History
Wilson Steer are amongst those of his colleagues who have done the same
thing. Mr. Sickert's poster, which is, I believe, as yet unpublished, is
in four colours. It is calculated to make a good advertisement, and one
can only hope soon to meet with it on the hoardings. As an impressionist
painter of talent, Mr. Wilson Steer is as well known as Mr. Sickert. A
"New English Art Club" Exhibition without his work would be one which
lacked a most characteristic feature. Mr. Steer gave us an opportunity
of appreciating his talent as a painter by organizing a show of his
own work. To advertise this he did a poster, which was excellent of
its kind, and is in consequence very rare. It is a comparatively small
lithograph in four colours, and is quite unlike this artist's other
work. It leans, it seems to me, towards Pre-Raphaelitism rather than
towards Impressionism. An artist who has certainly sat at the feet of
Mr. Whistler is Mr. Mortimer Menpes. To advertise several exhibitions of
his paintings, he has invented at least three posters, which certainly
do not lack the merit of originality. He has abstained from the
frivolous girl and grotesque man. The "France," the "Venice," and the
"India" are in their way considerable achievements in dainty design and
quiet and harmonious colour. Mr. Menpes, by being intentionally simple,
has arrived at notable conspicuity. All this artist's designs are of
small size, and are appropriate rather to the notice board than to the
hoarding. Nothing more opposite to the fastidious productions of Mr.
Menpes could be conceived than the vigorous poster by Mr. Lockhart Bogle
advertising a Scottish Athletic Gathering, held in 1892. This is a large
lithograph, consisting of a single figure of a Highlander, which, if not
remarkably beautiful, is drawn with vigour and with no small accuracy.
Mr. Brangwyn is one of those English painters of whom we are entitled
to be proud. His directness, the audacity of his impressionism, the
splendour (if sometimes ill-considered) of his colour schemes, cannot
be passed over even by those who have slight sympathy with his method.
That, if so inclined, he would produce a poster at once startling and
artistic is not to be denied. The one which he has already designed to
advertise an exhibition of South African pictures by himself and Mr.
William Hunt, held at the Japanese Gallery, is certainly by no means
worthy his remarkable talent, and one trusts that he will cease for
a moment from painting pictures and produce a poster which shall be
memorable in the history of the _affiche_ in England.
Mr. Frank Richards is nothing if not versatile; his exhibition, held
recently at the Dowdeswells' Galleries, came as a surprise to all who
were unacquainted with his
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