Picture Posters: A Short History of the Illustrated Placard with Many Reproductions of the Most Artistic Examples in all CountriesHiatt, Charles
History
Picture Posters: A Short History of the Illustrated Placard with Many Reproductions of the Most Artistic Examples in all Countries
Hiatt, Charles
Posters -- History
clever painting. In this exhibition his pictures ranged from a large
study of Mr. Clive as "Hamlet" to slight but beautiful studies of Venice
under various atmospheric conditions. In his poster work, of which at
present little has been seen, Mr. Richards shows that, to some extent,
he is under the influence of Mr. Dudley Hardy. Mr. Richards, no less
than Mr. Hardy, is undeniably up to date, and his work is really
effective. Among the most recent additions to the ranks of our popular
illustrators is Mr. Lewis Baumer. One meets with his work everywhere;
in "To-Day" and in the shortlived "Unicorn." His bills to advertise the
Academy students' annual burlesque are pretty, if they are nothing else.
Mr. Baumer has certainly still to make his mark as a poster designer.
The Artistic Supply Company, who are paying special attention to the
pictorial poster, have already produced a dainty little _affiche_ by
him. It may be noted here that the company in question have arranged
with some of the most eminent English designers for the reproduction of
artistic posters, and that several, which illustrate these pages, do so
only on account of their permission most generously given.
Among other services which the comic journal "Pick-Me-Up" has rendered
to the artistic public is the extremely important one of emphasizing,
and giving a congenial outlet to, the remarkable talent of Mr.
[Illustration: 0272]
[Illustration: 0274]
Raven-Hill. From almost the first, his connexion with the journal in
question has been a very intimate one. Hardly a number is without a
specimen of his powerful drawing and his gift of comic invention. While
suggesting, in the best sense, the style of the incomparable Charles
Keene, Mr. Raven-Hill's work in black and white is the outcome of his
own personality. It would have been strange if this very modern artist
had not produced pictorial posters: his talent was perfectly adapted to
his doing so with success. His small bills for "Pick-Me-Up" are vigorous
in drawing, bold in colour, and of a pleasant fantasy. They only measure
twenty by thirty inches, but they are very telling. A complete set of
them is a most desirable addition to the collector's portfolio. Another
accomplished member of the staff of "Pick-Me-Up," Mr. Edgar Wilson, has
designed a bill for the recently defunct journal, "The Unicorn." It is
effective, but to me personally, the colour scheme is even more crude
than the exigencies of a poster demand. Mr. Reginald Cleaver, whose
sketches of scenes in the House of Commons created so favourable an
impression in "The Daily Graphic," has not yet, I believe, deliberately
produced a pictorial poster; but one of his drawings, reproduced on
a large scale, lends itself well enough to the purposes of mural
advertisement. Mr. Sydney Adamson, the art editor of
Public-domain text, read in full here on John Shaqi.
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