Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
On the whole, all the figures in similar genre are represented
in thousands of specimens. [They may be divided into three series,
the first including letters _a_ to _k_; the second, letters _l_
to _t_; the third, letters _u_ to _cc_.] Many are effaced and
unrecognizable, only letter _k_, series 1; letters _n_, _o_, _s_,
_t_, series 2; and letters _cc_, series 3, stand isolated and seem
to have a peculiar meaning. The popular legend ascribes the greatest
age to the characters of series 1 and series 2, and it is said that
the signs record a terrible fight in which the islanders lost many
dead, but yet remained victors. It is stated that the signs were
produced by the ghosts of the fallen. The signs of series 3 are said
to be the work of a woman named Tewaheru, who was able to converse
with ghosts as well as with the living. But, when on one occasion
she helped a living man to recover his dead wife by betraying to
him the secret of making the spirit return to the body, she is said
to have been destroyed by the ghosts and changed into a blackbird,
whose call even at this day indicates death. Since that time no
medium is said to exist between the living and the dead, nor do any
new signs appear on the rock.
Investigation in place showed me that the color of series 3
consists of ocher made up with water. The very oldest drawings
seem to have been made with water color, as the color has nowhere
penetrated into the rock. Most of the figures are painted on
overhanging rocks in such a way as to be protected as much as
possible against wind and weather; whether they bear any relation to
the signs on the rocks of Papua, and what that relation may be, I am
not yet able to judge.
It may safely be assumed that the caves as abodes of spirits
were sacred, but did not serve as places of burial. The lead rings
and pieces of copper gongs found in small number before some of the
caves seem to be derived from sacrifices offered to the spirits.
At the present day no more sacrifices are offered there, and the
islanders knew nothing of the existence of these things.
EASTER ISLAND.
Public-domain text, read in full here on John Shaqi.
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