Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
The simplest form of rock inscription is almost ubiquitous. In
Europe, Asia, Africa, America, and Oceanica, shallow, round, cup-like
depressions are found, sometimes in rows, sometimes singly, sometimes
surrounded by a ring or rings, but often quite plain. The cup-markers
often arranged their sculpturings in regularly spaced rows, not
infrequently surrounding them with one or more clearly cut rings;
sometimes, again, they associated them with concentric circles or
spirals. Occasionally the sculptors demonstrated the artificial
character of their work by carving it in spots beyond the reach of
atmospheric influences, such as the interiors of stone cists or of
dwellings. It must, however, be noted that, although there is thus
established a distinction between those markings which are natural and
those which are artificial, it is possible that there may have been
some distant connection between the two, and that the depressions worn
by wind and rain may have suggested the idea of the devices, now called
cup-markings, to those who first sculptured them.
Vast numbers of these cup stones are found in the British islands,
often connected with other petroglyphs. In the county of Northumberland
alone there are 53 stones charged with 350 sculptures, among which are
many cup depressions. So also in Germany, France, Denmark, and indeed
everywhere in Europe, but these forms took their greatest development in
India.
The leading work relating to this kind of sculpture is that of Prof. J.
Y. Simpson (_a_), afterward known as Sir James Simpson, who reduces the
forms of the cup sculptures to seven elementary types, here reproduced
in Fig. 147. His classification is as follows:
[Illustration: FIG. 147.--Types of cup sculptures.]
First type. _Single cups._--They are the simplest type of these
ancient stone-cuttings. Their diameter varies from 1 inch to 3
inches and more, while they are often only half an inch deep, but
rarely deeper than an inch or an inch and a half. They commonly
appear in different sizes on the same stone or rock, and although
they sometimes form the only sculptures on a surface they are
more frequently associated with figures of a different character.
They are in general scattered without order over the surface, but
occasionally four or five or more of them are placed in more or less
regular groups, exhibiting a constellation-like arrangement.
Second type. _Cups surrounded by a single ring._--The incised
rings are usually much shallower than the cups and mostly surround
cups of comparatively large size. The ring is either complete or
broken, and in the latter case it is often traversed by a radial
groove which runs from the central cup through and even beyond the
ring.
Third type. _Cups surrounded by a series of concentric complete
rings._--In this complete annular form the central cup is generally
more deeply cut than the surrounding rings, but not always.
Public-domain text, read in full here on John Shaqi.
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