Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
Another mode of drawing on birch bark which appears to be peculiar to
the Abnaki is by scratching the exterior surface, thus displaying a
difference in color between the outermost and the second layer of the
rind, which difference forms the figure. The lower character in Pl. XVI
shows this mode of picturing. It is an exact copy of part of an old bark
record made by the Abnaki of Maine.
They also use the mode of incision, many examples of which appear in
the present work, but their mode of scratching produced a much more
picturesque effect, as is shown also in Fig. 659, than the mere linear
drawing.
(3) _Manufactured wood._--The Indians of the northwest coast generally
employ wood as the material on which their pictographs are to be made.
Totem posts, boats, boat paddles, the boards constituting the front wall
of a house, and wooden masks, are among the objects used.
Many drawings among the Indians of the interior parts of the United
States are also found upon pipestems made of wood, usually ash.
Among the Arikara boat paddles are used upon which marks of personal
distinction are reproduced, as shown in Fig. 578.
Mortuary records are also drawn upon slabs of wood. (See Figs. 728 and
729). Mnemonic devices, notices of departure, distress, etc., are also
drawn upon slips of wood.
The examples of the use of wood for pictographs which are illustrated
and described in this paper are too numerous for recapitulation; to
them, however, may be added the following from Wilkes’s (_a_) Exploring
Expedition, referring to Fig. 160.
[Illustration: FIG. 160.--Pictographs on wood, Washington.]
Near an encampment on Chickeeles river, near Puget Sound,
Washington, were found some rudely carved painted planks, of which
Mr. Eld made a drawing. These planks were placed upright and nothing
could be learned of their origin. The colors were exceedingly
bright, of a kind of red pigment.
Mr. James O. Pattie (_a_) gives an account of a wooden passport given to
him in 1824 by a Pawnee chief. He describes it, without illustration, as
a small piece of wood curiously painted with characters something like
“hieroglyphics.” The chief told Mr. Pattie’s party if they saw any of
his warriors to give them the stick, in which case they would be kindly
treated, which promise was fulfilled a few days later when the party met
a large band of the same tribe on the warpath.
SECTION 3.
ARTIFICIAL OBJECTS.
Artificial objects may be classified, so far as is important for the
present work, into, I, fictile fabrics and, II, textile fabrics.
FICTILE FABRICS.
A large number of articles of pottery bearing pictographs are figured in
the illustrated collections by Mr. James Stevenson in the Second Annual
Report, and by Mr. Stevenson and Mr. William H. Holmes in the Third
Annual Report of the Bureau of Ethnology. Pipes on which totemic designs
and property marks appear are also common.
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