Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
In decorating skins or robes the Arikara Indians boil the tail of the
beaver, thus obtaining a viscous fluid which is thin glue. The figures
are first drawn in outline with a piece of beef-rib, or some other flat
bone, the edge only being used after having been dipped into the liquor.
The various pigments to be employed in the drawing are then mixed with
some of the same liquid, in separate vessels, when the various colors
are applied to the objects by means of a sharpened piece of wood or
bone. The colored mixture adheres firmly to the original tracing in glue.
When similar colors are to be applied to wood, the surface is frequently
pecked or slightly incised to receive the color more readily.
Jacques Cartier, in Hakluyt (_b_), reports the Indian women of the Bay
of Chaleur as smearing the face with coal dust and grease.
A small pouch, discovered on the Yellowstone river in 1873, which had
been dropped by some fleeing hostile Sioux, contained several fragments
of black micaceous iron. The latter had almost the appearance and
consistence of graphite, so soft and black was the result upon rubbing
with it. It had evidently been used for decorating the face as war-paint.
Mr. Wm. H. Dall (_a_), treating of the remains found in the mammalian
layers in the Amakuak cave, Unalaska, remarks:
In the remains of a woman’s work-basket, found in the uppermost
layer in a cave, were bits of this resin [from the bark of pine or
spruce driftwood], evidently carefully treasured, with a little
birch-bark case (the bark also derived from drift logs) containing
pieces of soft hematite, graphite, and blue carbonate of copper,
with which the ancient seamstress ornamented her handiwork.
The same author reports (_f_):
The coloration of wooden articles with native pigments is of
ancient origin, but all the more elaborate instances that have come
to my knowledge bore marks of comparatively recent origin. The
pigments used were blue carbonates of iron and copper; the green
fungus, or peziza, found in decayed birch and alder wood; hematite
and red chalk; white infusorial or chalky earth; black charcoal,
graphite, and micaceous ore of iron. A species of red was sometimes
derived from pine bark or the cambium of the ground willow.
Stephen Powers (_a_) states that the Shastika women “smear their faces
all over daily with choke-cherry juice, which gives them a bloody,
corsair aspect.”
Public-domain text, read in full here on John Shaqi.
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