Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
Near the mouth of the Piasa creek, on the bluff, there is a
smooth rock in a cavernous cleft, under an overhanging cliff, on
whose face, 50 feet from the base, are painted some ancient pictures
or hieroglyphics, of great interest to the curious. They are placed
in a horizontal line from east to west, representing men, plants,
and animals. The paintings, though protected from dampness and
storms, are in great part destroyed, marred by portions of the rock
becoming detached and falling down.
Mr. McAdams (_a_), of Alton, Illinois, says “The name Piasa is Indian
and signifies, in the Illini, ‘The bird which devours men.’” He
furnishes a spirited pen-and-ink sketch, 12 by 15 inches in size and
purporting to represent the ancient painting described by Marquette.
On the picture is inscribed the following in ink: “Made by Wm. Dennis,
April 3d, 1825.” The date is in both letters and figures. On the top of
the picture in large letters are the two words, “FLYING DRAGON.” This
picture, which has been kept in the old Gilham family of Madison county
and bears the evidence of its age, is reproduced as Fig. 40.
[Illustration: FIG. 40.--The Piasa petroglyph.]
He also publishes another representation (Fig. 41) with the following
remarks:
One of the most satisfactory pictures of the Piasa we have
ever seen is in an old German publication entitled “The Valley of
the Mississippi Illustrated. Eighty illustrations from nature, by
H. Lewis, from the Falls of St. Anthony to the Gulf of Mexico,”
published about the year 1839 by Arenz & Co., Düsseldorf, Germany.
One of the large full-page plates in this work gives a fine view of
the bluff at Alton, with the figure of the Piasa on the face of the
rock. It is represented to have been taken on the spot by artists
from Germany. We reproduce that part of the bluff (the whole picture
being too large for this work) which shows the pictographs. In the
German picture there is shown just behind the rather dim outlines of
the second face a ragged crevice, as though of a fracture. Part of
the bluff’s face might have fallen and thus nearly destroyed one of
the monsters, for in later years writers speak of but one figure.
The whole face of the bluff was quarried away in 1846-’47.
[Illustration: FIG. 41.--The Piasa petroglyph.]
Under Myths and Mythic Animals, Chapter XIV, Section 2, are
illustrations and descriptions which should be compared with these
accounts, and Chapter XXII gives other examples of errors and
discrepancies in the description and copying of petroglyphs.
Mr. A. D. Jones (_a_) says of the same petroglyph:
Public-domain text, read in full here on John Shaqi.
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