Pictures and Problems from London Police CourtsHolmes, Thomas
History
Pictures and Problems from London Police Courts
Holmes, Thomas
Crime -- England -- London; Poor -- England -- London
Queen of her domain, she held the field against all comers. Many were
her challengers for notoriety, but they came and went, the grave
closed over them, yet she held on. Her movements were regular as the
motions of the planets. From police court to prison, from prison to the
streets, thence again to the court, was the regular order of her life.
Her quips and cranks, ready wit, and cool assurance, made her dear to
reporters, and Jane became national property.
Vain to an extraordinary extent, she dearly prized the notoriety that a
police court afforded her. To her the hum of amused wonder and scarcely
suppressed laughter when ‘No. 12, Jane Cakebread, your worship,’ was
announced by the gaoler was the very breath of life, and proved ample
compensation for the discomfort of the cells. But by no means did she
make herself miserable in the cells, for times and again have I seen
her in those cells with her little hymn-book, singing softly her old
favourite hymns, or repeating aloud choice portions of the Bible;
for she had a capital memory. Many a time has she repeated to me two
chapters from the Book of Job which she had learned forty years before.
Again and again I have seen her on her knees in the cells, repeating
her little prayers; yet there was not the faintest suspicion of the
hypocrite about her. I have seen her rise from her knees and pour
out floods of blasphemy and obscenity if she had been in the least
disturbed in her devotions. That was Jane all over; from Job to foul
obscenity, from hymns to coarse blasphemy, from prayer to violent
temper, were to her natural transitions, occupying but one moment of
time. The changes in her facial expression, even when sober and at
liberty, were most extraordinary. One had only to look into that face,
with its little, twinkling eyes, its square-set, powerful jaw, and
its determined mouth, to see in rapid succession all the passions and
powers that dwelt in her strange body and mysterious mind reflected in
it. Put a little child before her, and that hard mouth would soften,
and the whole face would brighten up. ‘Bless its dear little heart!’
she would say. ‘Shall I sing it a little hymn?’ And she would begin
in her thin old voice to sing to the child. In the middle of a verse
she would leave off abruptly to pour out the vials of wrath upon some
imaginary offender--and her wrath was something to be remembered.
Public-domain text, read in full here on John Shaqi.
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