Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young PeopleBacon, Mary Schell Hoke
General
Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People
Bacon, Mary Schell Hoke
Art -- Juvenile literature; Painters -- Juvenile literature; Painting -- Juvenile literature
Before Raphael was twenty-one, he had left his master's studio and had
gone into the splendid world of Rome, where Angelo was straining at
his bonds. But how differently each accepted his life! The gentle
Raphael, who took the best of the ideas of all great painters, and
gave to them his own exquisite characteristics, was beloved of all,
shed light upon art and friends alike. To such a one all life was
joyous. Michael Angelo, trying ever to do the impossible, betraying
his hatred of limitations in all that he did, doing always that which
aroused horror, distress, longing, elemental feelings, in those who
studied his wonderful work, and giving hope and satisfaction and peace
to none--to such as he life must ever have been hateful and
painful. These men lived at the same time, among the same people.
One of Raphael's greatest pictures came into the possession of a poor
widow, who being hard pressed by poverty, sold it to a bookseller for
twelve scudi. In time it was bought from the bookseller by Grand Duke
Ferdinand III. of Tuscany, who prayed before it night and morning,
taking it with him on his travels. That picture is now in the Pitti
Palace at Florence and it is called the "Madonna del Granduca." The
Berlin Museum purchased a Raphael Madonna for $34,000 which was
painted about the same time as these others, but after a little the
artist left Florence where he had been studying the methods of
Leonardo and Angelo and returned to Urbino, the home he loved, where
his conduct was such that all the world seems to have become his
lover. It is written that he was "the only very distinguished man of
whom we read, who lived and died without an enemy or detractor!" No
better can ever be said of any one.
While he dwelt in Perugia and Urbino he had painted the "Ansidei
Madonna," so called because that was the name of the family for which
it was painted. That Madonna was sold in 1884 to the National Gallery,
by the Duke of Marlborough for $350,000. A Madonna on a round
plaque-like canvas, 42-3/4 inches in diameter, was bought by the Duke
of Bridgewater for $60,000. It is the "Holy Family under a Palm Tree,"
painted originally for a friend, Taddeo Taddei, who was a Florentine
scholar. Many of the pictures which after many vicissitudes have
landed far from home and been bought for fabulous sums were painted
for love of some friend, or were paid for by modest sums at the time
the artist received the commissions. Lord Ellesmere in London now owns
the "Holy Family under a Palm Tree."
Public-domain text, read in full here on John Shaqi.
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