Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young PeopleBacon, Mary Schell Hoke
General
Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People
Bacon, Mary Schell Hoke
Art -- Juvenile literature; Painters -- Juvenile literature; Painting -- Juvenile literature
This picture is generally known as "The Night Watch," but it is really
"The Sortie" of a company of musketeers under the command of a
standard bearer. Captain Frans Banning-Cock and all his company were
to pay Rembrandt for painting their portraits in a group and in
action, and they expected to see themselves in heroic and picturesque
dress, in the full blaze of day, but Rembrandt had found a magnificent
subject for his wonderful shadows, and the artist was not going to
sacrifice it to the vanity of the archers.
This picture was called the "Patrouille de Nuit," by the French and
the "Night Watch," by Sir Joshua Reynolds because upon its discovery
the picture was so dimmed and defaced by time that it was almost
indistinguishable and it looked quite like a night scene. After it was
cleaned up, it was discovered to represent broad day--a party of
archers stepping from a gloomy courtyard into the blinding
sunlight. "How this different light is painted, which encircles the
figures, here sunny, there gloomy!... Rembrandt runs through the
entire range of his colours, from the lightest yellow through all
shades of light and dark red to the gloomiest black." One writer
describes it thus: "It is more than a picture; it is a spectacle, and
an amazing one... A great crowd of human figures, a great light, a
great darkness--at the first glance this is what strikes you, and for
a moment you know not where to fix your eyes in order to comprehend
that grand and splendid confusion... There are officers, halberdiers,
boys running, arquebusiers loading and firing, youths beating drums,
people bowing talking, calling out, gesticulating--all dressed in
different costumes, with round hats, plumes, casques, morions, iron
corgets, linen collars, doublets embroidered with gold, great boots,
stockings of all colours, arms of every form; and all this tumultuous
and glittering throng start out from the dark background of the
picture and advance toward the spectator. The two first personages are
Frans Banning-Cock, Lord of Furmerland and Ilpendam, captain of the
company, and his lieutenant, Willem van Ruijtenberg, Lord of
Vlaardingen, the two marching side by side. The only figures that are
in full light are this lieutenant, dressed in a doublet of
buffalo-hide, with gold ornaments, scarf, gorget, and white plume,
with high boots, and a girl who comes behind, with blond hair
ornamented with pearls, and a yellow satin dress; all the other
figures are in deep shadow, excepting the heads, which are
illuminated. By what light? Here is the enigma. Is it the light of the
sun? or of the moon? or of the torches? There are gleams of gold and
silver, moonlight coloured reflections, fiery lights; personages
which, like the girl with blond tresses, seem to shine by a light of
their own.... The more you look at it, the more it is alive and
glowing; and, even seen only at a glance, it remains forever in the
memory, with all its mystery and splendour, like a stupendous vision."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account