Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young PeopleBacon, Mary Schell Hoke
General
Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People
Bacon, Mary Schell Hoke
Art -- Juvenile literature; Painters -- Juvenile literature; Painting -- Juvenile literature
Above all things Rubens liked to paint big pictures, on very large
surfaces, as did Michael Angelo. "The large size of picture gives us
painters more courage to present our ideas with the utmost freedom and
semblance of reality. ... I confess myself to be, by a natural
instinct, better fitted to execute works of the largest size." He
wrote this to the English diplomat Trumbull in 1621.
In the midst of Rubens's greatest success as a painter came his
diplomatic services. It was desirable that Spain and England should be
friends, and Rubens always moving about because of his work, and being
so very clever, the Spanish powers thought him a good one to negotiate
with England. While on a professional visit to Paris, the English Duke
of Buckingham and the artist met, and this seemed to open a way for
business. The Infanta consented to have Rubens undertake this delicate
piece of statesmanship, but Philip of Spain did not like the idea of
an artist--a wandering fellow, as an artist was then thought to
be--entering into such a dignified affair. The real negotiator on the
English side, was Gerbier, by birth also a Fleming, and strange to
tell, he too had been an artist. The English engaged him to look after
their interests in the affair, and as soon as Philip learned that
their diplomat was also an artist, his prejudices against Rubens as a
statesman, disappeared. So it was decided that the two Flemings,
artists and diplomats, should meet in Holland to discuss
matters. About that time Sir Dudley Carleton wrote to Lord Conway:
"Rubens is come hither to Holland, where he now is, and Gerbier in his
company, walking from town to town, upon their pretence of taking
pictures, which may serve him for a few days if he dispatch and be
gone; but yf he entertayne tyme here long, he will infallibly be layd
hold of, or sent with disgrace out of the country ... this I have made
known to Rubens lest he should meet with a skorne what may in some
sort reflect upon others."
The two clever men got through with their talk, nothing unfortunate
happened, and Rubens got off to Spain where he laid the result of his
talk with Gerbier before the Spanish powers. He was given a studio in
Philip's palace, where he carried on his art and his diplomacy. The
king became delighted with him as a man and an artist, and as well as
attending to state business, he did some wonderful painting while in
Madrid. He was there nine months or more, and then started off for
England to tell Charles I. of Philip III.'s wishes. But upon his
arrival he learned that a peace had just been concluded between France
and England, and all was excitement.
He was received in England as a great artist; every honour was
showered upon him, and when he made Philip's request to Charles, that
he should not act in a manner hostile to Spain, Charles agreed, and
kept that agreement though France and Venice urged him to break it.
Public-domain text, read in full here on John Shaqi.
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