The figure of the patron saint of Venice is swooping down, head first, above the group, his garments flying in the air. A bright light touches the slave's naked body, as he lies upon his back, the executioner having turned away and raised his hammer aloft, while others have drawn back in fright at the appearance of the patron saint. We may imagine that Tintoretto was trying to acquire this power of painting wonderful figures hovering in the air when he hung his little clay images from the ceiling of his studio years before. Other pictures of his are: "The Marriage of Bacchus and Ariadne," "Martyrdom of St. Agnes," "St. Rocco Healing the Sick," "The Annunciation," "The Crucifixion," and many others. XXXVIII TITIAN (TIZIANO VECELLI) (Pronounced Tit-zee-ah'no (Vay-chel'lee)) _Venetian School_ 1477-1576 _Pupil of Giovanni and Gentile Bellini_ Titian was a child of the Tirol Mountains, handsome, strong, full of health and fine purposes, even as a boy. He was born in a little cottage at Pieve, in the valley of Cadore, through which flows the River Piave; and he wandered daily beside its banks, gathering flowers from which he squeezed the juices to paint with. When he grew up he became a wonderful colourist, and from his boyhood nothing so much delighted him as the brilliant colours flaunted by the flowers of wood and field. Gathered about his good father's hearth were many children, Caterina, Francesco, Orsa, and the rest, living in peace and happiness, closely bound together by love. Titian had a gentle, loving mother named Lucia, while his father was a soldier and an honoured man. In the little town where they lived, he was councillor and also superintendent of the castle and inspector of mines, no light honours among those simple country people. Doubtless Titian inherited his splendid bearing and his determined character from his soldier father.