Holbein seems to have been a favourite with Henry and many anecdotes are told of his life at Whitehall, where he went to live. Once while Holbein was engaged upon a portrait, a nobleman insisted upon entering his studio, after the artist had told him that he was painting the portrait of a lady, by order of the King. The nobleman insisted upon seeing it, but Holbein seized him and threw him down the Stairs; then he rushed to the King and told what had happened. He had no sooner finished than the nobleman appeared and told his story. The King blamed the nobleman for his rudeness. "You have not to do with Holbein," he said, "but with me. I tell you, of seven peasants I can make seven lords, but of seven lords I cannot make one Holbein. Begone! and remember that if you ever attempt to avenge yourself, I shall look upon any injury offered to the painter as done to myself." It was Holbein who, visiting a brother artist and finding a picture on the easel, painted a fly upon it. When the artist returned he tried to brush the fly off, then set about looking for the one who had deceived him. His portrait painting was so superb that he received many commissions. Meantime, Sir Thomas More had fallen into disfavour with the King and was to lose his head, but it is written that the artist's portraits "betray nothing of this tragedy." He was as ready to climb to fame by the favour of his generous patron's enemies as he had been to accept the offices of Sir Thomas More. He painted the portraits of several of the wives of Henry VIII., and it may be said that there was a good deal of that monarch's temperament to be found in Holbein himself. Take him all in all, Hans was as detestable as a man as he was excellent as a painter. In his adopted home in Lucerne, Holbein had painted frescoes, both on the inside and the outside of a citizen's house, and this house stood until 1824, when it was torn down to make way for street improvements, but several artists hastily copied the frescoes so that they are not entirely lost. Before he left Germany for England, Holbein had been commissioned to decorate the town hall in Basel, and a certain amount of money was voted for the work, but after he had finished three walls, he decided that the money was only enough to pay him for what he had already done. The councillors agreed with him, but as money was a little "close" in Basel at that time, they felt unable to give him more, and so voted to "let the back wall alone, till further notice." He painted one Madonna whom he surrounded with the entire family of Burgomaster Meyer, including even the burgomaster's first wife, who was dead. This work is called the "Meyer Madonna."