Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young PeopleBacon, Mary Schell Hoke
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Pictures Every Child Should Know: A Selection of the World's Art Masterpieces for Young People
Bacon, Mary Schell Hoke
Art -- Juvenile literature; Painters -- Juvenile literature; Painting -- Juvenile literature
When he was well, he was gay and cheerful; and Dickens, Thackeray, and
many other noted men were his friends. We are told that above all
things. Sir Edwin was a great mimic and that one night at dinner he
threw everybody into fits of laughter by imitating his friend the
sculptor Sir Francis Chantry. It was at the sculptor's table, where a
large party was assembled. Chantry called Sir Edwin's attention, when
the cloth was removed, to the reflection of light in the highly
polished table.
"Come here and sit in my place," said Chantry, "and see the
perspective you can get." Then he went and stood by the fire, while
Landseer sat in his place. Seated then in Chantry's chair, Landseer
called out in perfect imitation of his host: "Come, young man, you
think yourself ornamental; now make yourself useful, and ring the
bell." Chantry did so, and when the butler came in he was confused and
amazed to hear his master's voice from where Landseer sat in Chantry's
place at the table. The voice of his master from the head of the table
ordered claret, while his master really stood before the fire with his
hands under his coat-tails.
We are told that Landseer stood his pictures on their heads, or upon
one corner or looked at them from between his legs, any way, every
way, to get a complete view of them from all quarters. He went to bed
very late and got up very late, but in the mornings, while lying in
bed he mostly thought out the subjects of his pictures.
He was not much of a sportsman, preferring to paint animals rather
than to kill them, and one day when hunting, he saw a fine stag before
him. Instead of firing at it, he thrust his gun into a gillie's hands,
crying: "Hold that! hold that!" and whipping out his pencil and pad he
began to sketch the stag. Whereupon the gillies were disgusted that he
should miss so fine a shot, and they said something to each other in
Gaelic, which Sir Edwin must have understood, for he became very
angry.
"It was a pity," wrote one who knew all his qualities, "that Landseer,
who might have done so much for the good of the animal kind, never
wrote on the subject of their treatment. He had a strong feeling
against the way some dogs are tied up, only allowed their freedom now
and then. He used to say a man would fare better tied up than a dog,
because the former can take his coat off, but a dog lives in his
forever. He declared a tied-up dog, without daily exercise, goes mad,
or dies, in three years."
He had a wonderful power over dogs, and he told one lady it was
because he had "peeped into their hearts." A great mastiff rushed
delightedly upon him one day and someone remarked how the dog loved
him. "I never saw the dog before in my life," the artist said.
While teaching some horses tricks for Astley's, he showed his friends
some sugar in his hand and said: "Here is my whip." His studio was
full of pets, and one dog used as a model used to bring the master's
hat and lay it at his feet when he got tired of posing.
Public-domain text, read in full here on John Shaqi.
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