Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
Eleven o’clock struck and still nothing happened. A rumour got about,
among the crowd, that the criminal would not confess; in which case, the
priests would keep him until the Ave Maria (sunset); for it is their
merciful custom never finally to turn the crucifix away from a man at
that pass, as one refusing to be shriven, and consequently a sinner
abandoned of the Saviour, until then. People began to drop off. The
officers shrugged their shoulders and looked doubtful. The dragoons, who
came riding up below our window, every now and then, to order an unlucky
hackney-coach or cart away, as soon as it had comfortably established
itself, and was covered with exulting people (but never before), became
imperious, and quick-tempered. The bald place hadn’t a straggling hair
upon it; and the corpulent officer, crowning the perspective, took a
world of snuff.
Suddenly, there was a noise of trumpets. ‘Attention!’ was among the
foot-soldiers instantly. They were marched up to the scaffold and formed
round it. The dragoons galloped to their nearer stations too. The
guillotine became the centre of a wood of bristling bayonets and shining
sabres. The people closed round nearer, on the flank of the soldiery. A
long straggling stream of men and boys, who had accompanied the
procession from the prison, came pouring into the open space. The bald
spot was scarcely distinguishable from the rest. The cigar and
pastry-merchants resigned all thoughts of business, for the moment, and
abandoning themselves wholly to pleasure, got good situations in the
crowd. The perspective ended, now, in a troop of dragoons. And the
corpulent officer, sword in hand, looked hard at a church close to him,
which he could see, but we, the crowd, could not.
After a short delay, some monks were seen approaching to the scaffold
from this church; and above their heads, coming on slowly and gloomily,
the effigy of Christ upon the cross, canopied with black. This was
carried round the foot of the scaffold, to the front, and turned towards
the criminal, that he might see it to the last. It was hardly in its
place, when he appeared on the platform, bare-footed; his hands bound;
and with the collar and neck of his shirt cut away, almost to the
shoulder. A young man—six-and-twenty—vigorously made, and well-shaped.
Face pale; small dark moustache; and dark brown hair.
He had refused to confess, it seemed, without first having his wife
brought to see him; and they had sent an escort for her, which had
occasioned the delay.
He immediately kneeled down, below the knife. His neck fitting into a
hole, made for the purpose, in a cross plank, was shut down, by another
plank above; exactly like the pillory. Immediately below him was a
leathern bag. And into it his head rolled instantly.
The executioner was holding it by the hair, and walking with it round the
scaffold, showing it to the people, before one quite knew that the knife
had fallen heavily, and with a rattling sound.
Public-domain text, read in full here on John Shaqi.
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