Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
Campagna in one direction, where it was most level, reminded me of an
American prairie; but what is the solitude of a region where men have
never dwelt, to that of a Desert, where a mighty race have left their
footprints in the earth from which they have vanished; where the
resting-places of their Dead, have fallen like their Dead; and the broken
hour-glass of Time is but a heap of idle dust! Returning, by the road,
at sunset! and looking, from the distance, on the course we had taken in
the morning, I almost feel (as I had felt when I first saw it, at that
hour) as if the sun would never rise again, but looked its last, that
night, upon a ruined world.
To come again on Rome, by moonlight, after such an expedition, is a
fitting close to such a day. The narrow streets, devoid of footways, and
choked, in every obscure corner, by heaps of dunghill-rubbish, contrast
so strongly, in their cramped dimensions, and their filth, and darkness,
with the broad square before some haughty church: in the centre of which,
a hieroglyphic-covered obelisk, brought from Egypt in the days of the
Emperors, looks strangely on the foreign scene about it; or perhaps an
ancient pillar, with its honoured statue overthrown, supports a Christian
saint: Marcus Aurelius giving place to Paul, and Trajan to St. Peter.
Then, there are the ponderous buildings reared from the spoliation of the
Coliseum, shutting out the moon, like mountains: while here and there,
are broken arches and rent walls, through which it gushes freely, as the
life comes pouring from a wound. The little town of miserable houses,
walled, and shut in by barred gates, is the quarter where the Jews are
locked up nightly, when the clock strikes eight—a miserable place,
densely populated, and reeking with bad odours, but where the people are
industrious and money-getting. In the day-time, as you make your way
along the narrow streets, you see them all at work: upon the pavement,
oftener than in their dark and frouzy shops: furbishing old clothes, and
driving bargains.
Crossing from these patches of thick darkness, out into the moon once
more, the fountain of Trevi, welling from a hundred jets, and rolling
over mimic rocks, is silvery to the eye and ear. In the narrow little
throat of street, beyond, a booth, dressed out with flaring lamps, and
boughs of trees, attracts a group of sulky Romans round its smoky coppers
of hot broth, and cauliflower stew; its trays of fried fish, and its
flasks of wine. As you rattle round the sharply-twisting corner, a
lumbering sound is heard. The coachman stops abruptly, and uncovers, as
a van comes slowly by, preceded by a man who bears a large cross; by a
torch-bearer; and a priest: the latter chaunting as he goes. It is the
Dead Cart, with the bodies of the poor, on their way to burial in the
Sacred Field outside the walls, where they will be thrown into the pit
that will be covered with a stone to-night, and sealed up for a year.
Public-domain text, read in full here on John Shaqi.
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