Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
I think the most popular and most crowded sight (excepting those of
Easter Sunday and Monday, which are open to all classes of people) was
the Pope washing the feet of Thirteen men, representing the twelve
apostles, and Judas Iscariot. The place in which this pious office is
performed, is one of the chapels of St. Peter’s, which is gaily decorated
for the occasion; the thirteen sitting, ‘all of a row,’ on a very high
bench, and looking particularly uncomfortable, with the eyes of Heaven
knows how many English, French, Americans, Swiss, Germans, Russians,
Swedes, Norwegians, and other foreigners, nailed to their faces all the
time. They are robed in white; and on their heads they wear a stiff
white cap, like a large English porter-pot, without a handle. Each
carries in his hand, a nosegay, of the size of a fine cauliflower; and
two of them, on this occasion, wore spectacles; which, remembering the
characters they sustained, I thought a droll appendage to the costume.
There was a great eye to character. St. John was represented by a
good-looking young man. St. Peter, by a grave-looking old gentleman,
with a flowing brown beard; and Judas Iscariot by such an enormous
hypocrite (I could not make out, though, whether the expression of his
face was real or assumed) that if he had acted the part to the death and
had gone away and hanged himself, he would have left nothing to be
desired.
As the two large boxes, appropriated to ladies at this sight, were full
to the throat, and getting near was hopeless, we posted off, along with a
great crowd, to be in time at the Table, where the Pope, in person, waits
on these Thirteen; and after a prodigious struggle at the Vatican
staircase, and several personal conflicts with the Swiss guard, the whole
crowd swept into the room. It was a long gallery hung with drapery of
white and red, with another great box for ladies (who are obliged to
dress in black at these ceremonies, and to wear black veils), a royal box
for the King of Naples and his party; and the table itself, which, set
out like a ball supper, and ornamented with golden figures of the real
apostles, was arranged on an elevated platform on one side of the
gallery. The counterfeit apostles’ knives and forks were laid out on
that side of the table which was nearest to the wall, so that they might
be stared at again, without let or hindrance.
The body of the room was full of male strangers; the crowd immense; the
heat very great; and the pressure sometimes frightful. It was at its
height, when the stream came pouring in, from the feet-washing; and then
there were such shrieks and outcries, that a party of Piedmontese
dragoons went to the rescue of the Swiss guard, and helped them to calm
the tumult.
Public-domain text, read in full here on John Shaqi.
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