Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
Every lottery office keeps a printed book, an Universal Lottery Diviner,
where every possible accident and circumstance is provided for, and has a
number against it. For instance, let us take two carlini—about
sevenpence. On our way to the lottery office, we run against a black
man. When we get there, we say gravely, ‘The Diviner.’ It is handed
over the counter, as a serious matter of business. We look at black man.
Such a number. ‘Give us that.’ We look at running against a person in
the street. ‘Give us that.’ We look at the name of the street itself.
‘Give us that.’ Now, we have our three numbers.
If the roof of the theatre of San Carlo were to fall in, so many people
would play upon the numbers attached to such an accident in the Diviner,
that the Government would soon close those numbers, and decline to run
the risk of losing any more upon them. This often happens. Not long
ago, when there was a fire in the King’s Palace, there was such a
desperate run on fire, and king, and palace, that further stakes on the
numbers attached to those words in the Golden Book were forbidden. Every
accident or event, is supposed, by the ignorant populace, to be a
revelation to the beholder, or party concerned, in connection with the
lottery. Certain people who have a talent for dreaming fortunately, are
much sought after; and there are some priests who are constantly favoured
with visions of the lucky numbers.
I heard of a horse running away with a man, and dashing him down, dead,
at the corner of a street. Pursuing the horse with incredible speed, was
another man, who ran so fast, that he came up, immediately after the
accident. He threw himself upon his knees beside the unfortunate rider,
and clasped his hand with an expression of the wildest grief. ‘If you
have life,’ he said, ‘speak one word to me! If you have one gasp of
breath left, mention your age for Heaven’s sake, that I may play that
number in the lottery.’
It is four o’clock in the afternoon, and we may go to see our lottery
drawn. The ceremony takes place every Saturday, in the Tribunale, or
Court of Justice—this singular, earthy-smelling room, or gallery, as
mouldy as an old cellar, and as damp as a dungeon. At the upper end is a
platform, with a large horse-shoe table upon it; and a President and
Council sitting round—all judges of the Law. The man on the little stool
behind the President, is the Capo Lazzarone, a kind of tribune of the
people, appointed on their behalf to see that all is fairly conducted:
attended by a few personal friends. A ragged, swarthy fellow he is: with
long matted hair hanging down all over his face: and covered, from head
to foot, with most unquestionably genuine dirt. All the body of the room
is filled with the commonest of the Neapolitan people: and between them
and the platform, guarding the steps leading to the latter, is a small
body of soldiers.
Public-domain text, read in full here on John Shaqi.
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