Dickens, Charles, 1812-1870 -- Travel -- Italy; Italy -- Description and travel; Novelists, English -- 19th century -- Biography
I thought I entered the Cathedral, and went in and out among its many
arches: traversing its whole extent. A grand and dreamy structure, of
immense proportions; golden with old mosaics; redolent of perfumes; dim
with the smoke of incense; costly in treasure of precious stones and
metals, glittering through iron bars; holy with the bodies of deceased
saints; rainbow-hued with windows of stained glass; dark with carved
woods and coloured marbles; obscure in its vast heights, and lengthened
distances; shining with silver lamps and winking lights; unreal,
fantastic, solemn, inconceivable throughout. I thought I entered the old
palace; pacing silent galleries and council-chambers, where the old
rulers of this mistress of the waters looked sternly out, in pictures,
from the walls, and where her high-prowed galleys, still victorious on
canvas, fought and conquered as of old. I thought I wandered through its
halls of state and triumph—bare and empty now!—and musing on its pride
and might, extinct: for that was past; all past: heard a voice say, ‘Some
tokens of its ancient rule and some consoling reasons for its downfall,
may be traced here, yet!’
I dreamed that I was led on, then, into some jealous rooms, communicating
with a prison near the palace; separated from it by a lofty bridge
crossing a narrow street; and called, I dreamed, The Bridge of Sighs.
But first I passed two jagged slits in a stone wall; the lions’
mouths—now toothless—where, in the distempered horror of my sleep, I
thought denunciations of innocent men to the old wicked Council, had been
dropped through, many a time, when the night was dark. So, when I saw
the council-room to which such prisoners were taken for examination, and
the door by which they passed out, when they were condemned—a door that
never closed upon a man with life and hope before him—my heart appeared
to die within me.
It was smitten harder though, when, torch in hand, I descended from the
cheerful day into two ranges, one below another, of dismal, awful,
horrible stone cells. They were quite dark. Each had a loop-hole in its
massive wall, where, in the old time, every day, a torch was placed—I
dreamed—to light the prisoner within, for half an hour. The captives, by
the glimmering of these brief rays, had scratched and cut inscriptions in
the blackened vaults. I saw them. For their labour with a rusty nail’s
point, had outlived their agony and them, through many generations.
Public-domain text, read in full here on John Shaqi.
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