‘This is the street of the Golden Lion. This, the outside of the Golden Lion. The interesting window up there, on the first Piano, where the pane of glass is broken, is the window of the gentleman’s chamber!’ Having viewed all these remarkable objects, I inquired if there were much to see in Mantua. ‘Well! Truly, no. Not much! So, so,’ he said, shrugging his shoulders apologetically. ‘Many churches?’ ‘No. Nearly all suppressed by the French.’ ‘Monasteries or convents?’ ‘No. The French again! Nearly all suppressed by Napoleon.’ ‘Much business?’ ‘Very little business.’ ‘Many strangers?’ ‘Ah Heaven!’ I thought he would have fainted. ‘Then, when we have seen the two large churches yonder, what shall we do next?’ said I. He looked up the street, and down the street, and rubbed his chin timidly; and then said, glancing in my face as if a light had broken on his mind, yet with a humble appeal to my forbearance that was perfectly irresistible: ‘We can take a little turn about the town, Signore!’ (Si può far ’un píccolo gíro della citta). It was impossible to be anything but delighted with the proposal, so we set off together in great good-humour. In the relief of his mind, he opened his heart, and gave up as much of Mantua as a Cicerone could. ‘One must eat,’ he said; ‘but, bah! it was a dull place, without doubt!’ He made as much as possible of the Basilica of Santa Andrea—a noble church—and of an inclosed portion of the pavement, about which tapers were burning, and a few people kneeling, and under which is said to be preserved the Sangreal of the old Romances. This church disposed of, and another after it (the cathedral of San Pietro), we went to the Museum, which was shut up. ‘It was all the same,’ he said. ‘Bah! There was not much inside!’ Then, we went to see the Piazza del Diavolo, built by the Devil (for no particular purpose) in a single night; then, the Piazza Virgiliana; then, the statue of Virgil—_our_ Poet, my little friend said, plucking up a spirit, for the moment, and putting his hat a little on one side. Then, we went to a dismal sort of farm-yard, by which a picture-gallery was approached. The moment the gate of this retreat was opened, some five hundred geese came waddling round us, stretching out their necks, and clamouring in the most hideous manner, as if they were ejaculating, ‘Oh! here’s somebody come to see the Pictures! Don’t go up! Don’t go up!’ While we went up, they waited very quietly about the door in a crowd, cackling to one another occasionally, in a subdued tone; but the instant we appeared again, their necks came out like telescopes, and setting up a great noise, which meant, I have no doubt, ‘What, you would go, would you! What do you think of it! How do you like it!’ they attended us to the outer gate, and cast us forth, derisively, into Mantua.