Pictures of German Life in the XVIIIth and XIXth Centuries, Vol. I.Freytag, Gustav
History
Pictures of German Life in the XVIIIth and XIXth Centuries, Vol. I.
Freytag, Gustav
Germany -- Civilization; Germany -- Social life and customs
Whilst thus the poorer nobles of the country struggled at home against
the new _regime_, the more enterprising were led by the old German love
of travelling into foreign parts. The noble youths willingly followed
the drum, and even before 1618 it was a frequent complaint that the
Junkers of the nobility had everywhere promotion in the army, whilst it
was difficult for a man of worth and capacity, from the people, to rise
from the ranks. Even before 1618 the heirs of rich families of
pretension, travelled to France, there to learn the language and the
art of war, and to cultivate their minds. Not only in Paris, but in
other great cities of France, they congregated in such numbers, as do
now the idle Russians and English; they only too often endeavoured to
resemble the French in immorality and duels, and were even then
notorious as awkward imitators of foreign customs. Even before 1618
most of the western German courts were so devoted to French manners,
that French was considered the elegant language for conversation and
writing. Thus it was in the court of Frederick the Palatine, the winter
king of Bohemia.
The cleverest of the nobility, however, sought for fine manners,
pleasures, and office in the courts of the numerous German princes.
After the abdication of Charles V. a jovial life prevailed not only at
the Imperial court, but also in those of the greater princes of the
Empire, above all in Electoral Saxony, Bavaria, Wuertemberg, and the
Palatinate. Besides great hunting parties and drinking bouts, there
were also great court festivals; masquerades, knightly exercises, and
prize-shooting had become the fashion, especially at coronations,
marriages, christenings, and visits of ceremony. The old tournaments
were sham fights, fine scenic representations, in which the costume and
the dramatic show were of more importance than the passage of arms
itself. As early as 1570 they were arranged according to the Spanish
custom, when the new fashion of running at the ring was introduced.
Great stages, with mythological and allegorical figures, were drawn in
procession on these occasions. The contending parties appeared in
wonderful attire; they strove together for prizes, as challengers and
knight-errants--_manuten adoren_ and _avantureros_--or married men
against bachelors, man against man and troop against troop, not
only on horse but on foot But the weapons were blunt, the spears so
prepared that they must break at the weakest shock, and the number
of thrusts and passes which one could make against another was
accurately prescribed. The whole was announced to the spectators by a
cartel--written invitation or challenge: it was printed and posted up,
and explained to the public. Some of these specimens of the composition
of educated people of the court have been preserved to us; for example,
a cartel of 1570, when the Emperor Maximilian II. had assembled a large
circle of nobles around him, in which a necromancer, Zirfeo, announced
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