Pictures of German Life in the XVth, XVIth, and XVIIth Centuries, Vol. II.Freytag, Gustav
History
Pictures of German Life in the XVth, XVIth, and XVIIth Centuries, Vol. II.
Freytag, Gustav
Germany -- Civilization; Germany -- Social life and customs
It has ever been part of the German character to maintain propriety of
conduct in intercourse with others, to keep up a good appearance, to do
homage to superiors, and to require a respectful demeanour and address
from inferiors. The forms of intercourse were accurately defined, and
the number of significant turns of speech was not small, which
introduced every social arrangement, and like a boundary stone,
preserved the pathway of life. But the groundwork of all this old
precision was a sound self-respect, which gave to individuals a feeling
of certainty as to what was to be conceded or received, and therefore
civility was generally real. If there was any discord in his soul, the
German did not usually conceal it; and then he became so thoroughly
coarse, that he gained evil repute with all the western nations. It is
true, princes were accosted with much devotedness, words of submission
were used as now; but the prince and the citizen, the nobleman and the
artisan, met together as men, and a strong word or a warm feeling often
broke through the most courtly forms. This, however, changed after the
war. The old feeling of decorum was lost, the egotism of the unbridled
was harsh and wounding; the proper, but often narrow-minded pride of
citizen and nobleman was broken, and the simple patriarchal relation
between prince and subject was lost during thirty years of calamity and
distrust. Men had become more prudent, but weaker, and for the most part
worse.
But the beginning of a new state of society was visible. With all this
ruin Providence had mercifully sent a remedy. By many a roundabout way,
through French and Italian fashions, and after long wanderings in every
foreign nationality, the German mind was to be renewed. It was a
wonderful trial of durability, but it was necessary. Like Prince Tamino
in the magic play, the poor German soul passed through French water and
Italian fire; and from that period a weak flute-like tone sounds only
occasionally in our ears, telling us that the German character has not
yet sunk entirely under foreign phantasies.
Public-domain text, read in full here on John Shaqi.
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