Pictures of German Life in the XVth, XVIth, and XVIIth Centuries, Vol. II.Freytag, Gustav
History
Pictures of German Life in the XVth, XVIth, and XVIIth Centuries, Vol. II.
Freytag, Gustav
Germany -- Civilization; Germany -- Social life and customs
Among the most instructive of the biographical accounts of Protestant
pastors, is that of the Franconian pastor, Martin Bötzinger. We see with
horror, both the village life in the time of the war, and the
demoralization of the inhabitants, distinctly portrayed in his
narrative. Bötzinger was not a man of great character, and the
lamentable lot he had to bear did not strengthen it; indeed, we can
hardly deny him the predicate of a right miserable devil. Nevertheless
he possessed two qualities which render him estimable to us, an
indestructible energy with which there was not the slightest frivolity
united; and that determined German contentment which takes the brightest
view of the most desolate situations. He was a poet. His German verses
are thoroughly pitiful, as may be seen by the specimen heading this
chapter, but they served him as elegant begging letters by which, in
the worst times, he endeavoured to procure sympathy. He celebrated all
the officials and receivers of the parish of Heldburg in an epic poem,
as also the melancholy condition of Coburg, where he tarried for a
certain time as a fugitive.
Of the career which he noted down, the beginning and the last portion
were already torn out when Krauss, in 1730, incorporated it in his
history of the Hildburghaus church, school, and province. The following
is faithfully transcribed from this fragment; only the series of events
which are intermingled in his autobiography are here arranged according
to years. Bötzinger was a collegian at Coburg and a student at Jena,
during the _Kipper_ time;[30] and in 1626, he became pastor at
Poppenhausen. In the spring of 1627, the young pastor entertained the
idea of marrying the only daughter of Michael Böhme, burgher and
counsellor at Heldburg, whose name was Ursula.
Public-domain text, read in full here on John Shaqi.
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