This small, cramped, and inconvenient tenement is worth considering as a
curiosity from the ingenuity with which the owner has contrived to make
the most of his space and materials. One room has no less than seven
doors, one communicating with the vestibule, the other with the front
room, whilst that on each side of the fireplace opens into a small book
cabinet lighted from above; these latter most happily contrived. The
Picture Cabinet gives a happy effect to a vista from the gallery; one
critic says “it is perfectly fascinating in its result.”
Passing into the inclosure of the old Inn adjoining, we cannot but
admire the “elderly repose,” (Elia’s phrase), the old-fashioned air of
the green, and the fine sound old houses over which the great tower of
the Law Courts lifts itself. The line of houses that look on the small
square--like an old-fashioned garden--have a pleasing air of
tranquillity. A sort of low booth or shop projects here with odd effect,
and serves as the headquarters of a volunteer corps. Turning by it into
a narrow passage, we find ourselves in a little retired inclosure, with
a tiny walled garden which belongs to an old sequestered house; and,
going on further, we find some decrepit gabled mansions peering down at
us; and beyond, some gloomy passages leading out into Chancery Lane,
lined with finely-crusted mansions, the back of the old Inn, while an
ancient tavern, the Old Ship, rears itself conspicuously. All this
miscellany is oddly antique, and Dickens like.
At the other end of the Fields the unclean disorderly passages about
Clare Market still “flourish”--if that term be appropriate. Here are two
extraordinary old taverns: one black with age, its upper stories
overhanging the pavement and propped up with rude beams of old wood
serving as columns. This is the Old “George IV.” The other is “The Black
Jack,” whose name is significant evidence of its antiquity. One or other
of the taverns is associated with the immortal Pickwick, and is presumed
to be the Magpie and Stump, where Lowten, Perker’s clerk, spent many
convivial hours. These grimed old places are quite in harmony with the
traditions of Jack Sheppard and Joe Miller, which haunt them. Both will
soon be gone. In Chancery Lane, almost facing Carey Street, is an arch,
through which we get a glimpse of the old Rolls Chapel, which seems a
ghostly place and abandoned.
Public-domain text, read in full here on John Shaqi.
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