With such a guide the old streets and houses long since demolished and
being fast demolished every day, revive before us; with them rises the
oldfashioned London, its humours, its society of fifty years ago. One
of the results of this association is that as we walk through some of
these old-world quarters, such as Goswell Street or “Lant Street, Boro’”
(where Bob Sawyer gave his party), the whole Pickwick, or rather Dickens
flavour seems to pour out, and the figures live again. It is not
surprising that this connection between the gifted writer and the old
bricks of London should have become a study, and a very engaging study,
and in antiquaries’ accounts of the great city it is now become
customary to trace the haunts and localities of the places described in
his novels. In an unpretending but lively little book Mr. Allbut has
undertaken this labour of love, and furnished a very useful little
handbook to the Dickens explorer. From this one might profitably glean a
few passages. It will be noted what a poetical instinct the great writer
had in this respect, and he caught the true “note” as it were of making
selection of what was best fitted for his purpose. This power of vividly
imprinting the locality on the mind might be illustrated by that dismal
gate and alley, “Tom all alone’s,” of which the site only remains in
Bedfordbury, just out of Chandos Street, where the huge Peabody
Buildings rise, though it has been claimed for other localities. Indeed,
close to the upper end of Shaftesbury Avenue there is a strange forlorn
alley with a dilapidated tottering old inclosure beyond, which would
exactly serve for the original. And in Russell Court, that curious
winding passage leading to the pit door of “Old Drury,” we fancy we see
the gate of the dismal burial ground on whose steps Lady Deadlock was
found. It still looks exactly as in the print, “with houses looking on
on every side, save where a reeking little tunnel of a court gives
access to the iron gate.” This depressing intramural burial ground has
been garnished up into a recreation inclosure, and is but a trifle less
gloomy than a cheerful mortuary house built at one side.
Public-domain text, read in full here on John Shaqi.
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