“A more popular little officer in his own domain than our friend it
would be difficult to find. At one time the Little Man used to get his
knuckles severely abraded by passing porters carrying loads, and was
continually being sent into dock to have a fresh set of knuckles
provided. Old pupils, who had become distinguished naval officers, would
pop in to inquire what had become of the genius of the place, and many
have been the offers to buy him outright and remove him. Several
Americans have been in lately and have offered his proprietors very
large sums if they might be allowed to purchase him and take him to New
York. It is furthermore on record that King William the Fourth on
passing through Leadenhall Street to the Trinity House raised his hat to
him as he passed by.” All this is quaint enough. But before this account
appeared he had been already taken away carefully, and set up at his new
quarters, No. 156, Minories, where he still continues to take his
observations. But he is sadly out of keeping. The old shop is described
as being curiously appropriate, so snug, and so unobtrusive, so ancient
and conservative in its fittings. On the eve of the levelling of the
place, the visitor was invited in by the owner, “It is with a sad
heart,” he says, “that I accept the courteous invitation of Mr. Wilson
to take a last look at the premises, and listen to much curious gossip
about the old shop and its frequenters. The interior of the shop, with
its curious desks and its broad counter, is fully as old-fashioned as
its exterior.” He then went upstairs, passing up “a panelled staircase
with a massive handrail and spiral balusters to the upper rooms. I look
in at Walter’s chamber, and see the place in the roof where Rob the
Grinder kept his pigeons. I spend some time in a cheerful panelled
apartment, which at one time was the bedchamber of Sol Gills.” There is
something, however, too remote in thus identifying minutely the various
rooms and scenes; for Dickens, as the writer has shown, like all good
writers, “abstracted” in all his creations or adoptions, and would have
found a loss of power had he copied strictly. It was the tone of the
place that inspired him. When I myself came by that way a little later,
the whole was gone.
Public-domain text, read in full here on John Shaqi.
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