bustling air of business. It is a not unpicturesque courtyard from its
very irregularity, the old wooden galleries being alternated with
buildings of a different pattern, some projecting forward. The galleries
are gay with paint and plenty of flowers; and altogether one might seem
able to take one’s ease in one’s inn here very fairly. Even more
picturesque is the “Queen’s Head,” a little lower down, a very effective
gathering of irregular buildings. It has its two galleries on the left,
but another portion has been boarded in for greater room and comfort. A
tall archway in the centre block offers a De Hooghe-like glimpse of
another court beyond, while a bow-windowed bar-parlour has been built
out in front, and suggests a Captain Cuttle flavour. Here, too, is the
heavy tiled roof, over which rises a little peaked cupola, not without
effect. One hardly hears the hum of the Borough without. Who “puts up”
at these places? What sort of “entertainment for man or beast” is there?
How long do the guests stay? These are questions of high mystery. The
people who dwell here must have ways of their own, and be influenced by
the dispensations under which they abide. This conversing from aloft,
with occasional pausing to look down and see what is going on, lends a
sort of vitality to what would otherwise be a sleepy and antiquated kind
of existence. To this old arrangement, as is well known, it is that we
owe the form of our theatres. The old inn-yard being a favourite place
of entertainment, the guests would gather in the galleries to look over;
the floor suggested the later pit; while the stage was set up, facing
the archway, at the far end.
In Covent Garden, under Inigo Jones’s _loggia_, are found some old inns
of a thoroughly Pickwickian sort, with the bars and snuggeries which are
fitting background for a gathering of Dickens’s men and women. These are
“The Tavistock” and “The Bedford,” in high favour with country
bachelors. They must be as old almost as the colonnade itself; while the
“Bedford Coffee House” has quite a history of its own, resplendent with
the names of Churchill, Hogarth, the steak-ordering Duke of Norfolk, and
many a son of fame besides. Still flourishes also the “Hummums,” where
Parson Ford saw the ghost, as described by Dr. Johnson; but it has been
rebuilt.
Public-domain text, read in full here on John Shaqi.
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