Considering that England has been the country of bricks, it is
astonishing that so little is known of the principles of brick-building,
which the modern development seems to defy. In foreign countries nothing
can be more satisfactory than the treatment of this material, always
used in a way that will best set it off. The effect of brick is produced
by the display of broad surface, and by the exhibition of masses of
brick, as in towers. Being of one geometrical size and pattern bricks
have little cohesion; whereas stones, of irregular sizes and patterns,
can be blended into masses difficult to separate or dissolve. All these
florid gables are certain to disintegrate; and, further, owing to the
system of laying bricks in masses of mortar, the process of
disintegration is made more certain. The lumps of mortar soon dry up and
powder away, and the bricks do little more than rest upon one another.
Bricks or tiles are very friable and brittle, and any bold cutting or
carving, though it may look stout and effective at first, will certainly
decay and drop off in fragments, owing to the lodgment of wet in the
cracks, etc. Any one that studies the old brickwork will discover that
the mouldings, pilasters, etc., are of the most delicate character and
in low relief, so as to attract rain or decaying dirt as little as
possible.
The rather piquant Hans Place used to be one of the most retired and
picturesque inclosures in London. In shape it is an octagon, the houses
thin, narrow, and compact, well suited to the person known to
auctioneers as “the bachelor of position,” or the old maid of snug
resources. The little “Square,” with its low railing, ancient trees and
flowers, had a monastic air. The place was completely shut out and shut
in also. At this moment it is being regularly and gradually rebuilt,
and the uniform narrowness of the space filled by each house gives
opportunity for a Bruges-like picturesqueness of design and variety.
Rents have gone up amazingly, as the houses have gone up; and the
“bachelors of position” have given place to families of a more opulent
class. A very striking entrance to the little square has been made from
Lennox Gardens, between two stately mansions with towers which
correspond in design. In a few years the whole will have been
reconstructed, and for variety of pattern and contrast there will be few
things more effective in London.
The use of terra-cotta has certainly been carried to an excess. It is
now used as a building material, like stone or brick, instead of as mere
“dressing” or ornament. Owing to its warping in the “baking” the
jointing is bad and irregular, and cracks speedily show themselves. Even
the decorative portions, garlands, boys, etc., seem never in the airy
spirit of the material, and are too elaborate and “undercut.” Some years
ago there was a fashion of profusely carving the brick, _in situ_, in
rich and florid relief, for which the material is too frail and
perishable.
Public-domain text, read in full here on John Shaqi.
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