unhappily, the demolisher has been at work of late, and but little is left. There is one elaborate doorway of an imposing sort, that of the office of the Royal Standard Benefit Society, lofty, arched, and supported on columns, a very elaborate and handsome piece of work. Opposite these is one really graceful and beautiful, No. 17, all embroidered, with a sort of lace-work carving down, and well-wrought “ears” supporting the canopy. No. 8 is also worth attention. Only a few years ago there were several remarkable houses here, notable for their railings, lamps, etc., but they have been levelled. [Illustration: DOORWAY, PAINTER STAINERS’ HALL.] Passing down to the rear of the new Law Courts, to Carey Street, there was standing a few years ago a very remarkable house that might have been transported from Normandy. There was, indeed, nothing resembling it in London. It was a corner one, with a high wavy roof, bold massive eaves and gables, its upper storey hanging over the street and supported on a pillar. Its doorway was surprisingly elegant, and nothing could exceed the grace and freedom of the carving of the two boys who supported it. But it was carted away, no doubt disposed of as a work of art, and the house was soon after levelled. [Illustration: EXTINGUISHERS, BERKELEY SQUARE.] Pursuing our rambles as far as Cannon Street, we turn into Laurence Pountney Hill, and there are surprised at the sight of an imposing coupled doorway, treated in a masterly style; the date, 1703, showing us that this style of work was in vogue at the beginning of last century. It will be noted in favour of this sort of work, what a rich variety of treatment has been offered the specimens we have been considering. Passing yet lower down into Queen Victoria Street, we find among a number of levelled houses that old building known as the Painter Stainers’ Hall, with a pleasing and effective doorway, set off by carving of garlands and flowers, with the shield and arms of the company in the centre. Finally, making our way to College Hill, we find ourselves in front of what is called “Whittington’s House,” which is remarkable for its arched doorway, treated in a florid and original fashion. The circular window over it adds a point and character to the design. [Illustration: OLD DOORWAY, WHITTINGTON’S HOUSE.] In Hatton Garden there are many doorways of different types. Grecian triangular pediments supported on bold Ionic columns, and forming bold porches. The rusticated style, too, is found here in abundance. Nos. 81 and 102 are worth looking at.