John Blackwood, James Irvine, John Crawford, James Orkney, John Painter, James Watson Goddard, David Monro, Henry Cull, John Mure, Robert Morrogh, John Jones, George Symes. Parloir street, well leavened with lawyers, leads to the _parloir_ of the Ursulines. Here resided the late Judge de Bonne, at the dawn of the present century. The locality is alive with memories of this venerable seat of education, and with saintly and heroic traditions of Madame de la Peltrie, Mère de l'Incarnation--Montcalm. "There exists," says the Abbé Casgrain, "in the Ursuline Nunnery, a small picture, which portrays a touching tradition of the early days of Canada: a painting executed by a Canadian artist, from old etchings, preserved in the monastery. * * The canvas represents the forest primeval, which mantled the promontory of Quebec, at the birth of the Colony. In the centre of the picture may be seen, amidst the maples and tall pines, the first monastery, founded in 1641 by Madame de la Peltrie. On its front stands forth in perspective the dwelling which the founder had erected for her own use, three years later on. The area comprised between these two edifices, is occupied by a clearing, surrounded by a palisade, whereon are seen grazing a flock of sheep. On the left side of the picture a broad avenue leads through the forest:--the _Grand Allée_--later on St. Louis street, which leads to the village of Sillery. Two horsemen, habited à la Louis XIV, meet on this avenue, the one Monsieur d'Ailleboust, the Governor of the Colony, the other is Monsieur DuPlessis Bochard, the Governor of Three Rivers. In the midst of their interview, they are interrupted by an Indian Chief, who offers them a beaver skin. A few steps from her residence, Madame de la Peltrie is standing close to another Indian Chief, who, with head inclined, seems in the attitude of listening to her in the most respectful manner, whilst she, dignified and composed, is expounding to him the sacred truths of faith. This scene presents an admirable contrast, with another taking place close by; an Indian warrior is seen giving, imperiously, his orders to a squaw,--his wife mayhap--but who, from her downcast and humble look, seems more like his slave. A short distance from this group, a missionary, (Father Jérôme Lalemant) after visiting some wigwams, erected around the house of Madame de la Peltrie, is threading a narrow path leading to the depths of the forest. The most attractive feature about the painting is a group of young children, listening attentively to the teachings of a nun, seated on the right, under the shade of an ash tree. The impression created by this antique painting, is the more delightful and vivid, because on turning one's gaze, at present, from the picture, to the interior of the cloister, may still be seen the