"Over the Governor's seat hung a gorgeous escutcheon of the Royal arms, draped with a cluster of white flags, sprinkled with golden lilies--the emblems of French sovereignty in the colony; among the portraits on the walls, beside those of the late (Louis XIV.,) and present King (Louis XV)--which hung on each side of the throne--might be seen the features of Richelieu, who first organized the rude settlements on the St. Lawrence in a body politic--a reflex of feudal France; and of Colbert, who made available its natural wealth and resources, by peopling it with the best scions of the Mother Land--the noblesse and peasantry of Normandy, Brittany and Aquitaine. There, too, might be seen the keen, bold features of Cartier, the first discoverer, and of Champlain, the first explorer of the new land, and the founder of Quebec. The gallant, restless Louis Buade de Frontenac was pictured there, side by side with his fair countess, called, by reason of her surpassing loveliness, "The Divine." Vaudreuil, too, who spent a long life of devotion to his country, and Beauharnois, who nourished its young strength until it was able to resist, not only the powerful confederacy of the Five Nations, but the still more powerful league of New England and the other English Colonies. There, also, were seen the sharp intellectual face of Laval, its first bishop, who organized the church and education in the colony; and of Talon, wisest of Intendants, who devoted himself to the improvement of agriculture, the increase of trade, and the well being of all the King's subjects in New France. And one more portrait was there, worthy to rank among the statesmen and rulers of New France--the pale, calm, intellectual features of Mère Marie de l'Incarnation--the first superior of the Ursulines of Quebec, who in obedience to heavenly visions, as she believed, left France to found schools for the children of the new colonists, and who taught her own womanly graces to her own sex, who were destined to become the future mothers of New France." (Page 109.) It were difficult to group on a smaller and brighter canvass, so many of the glorious figures of our storied past. In the days of de Montmagny and later, the _Jesuits' Journal_ retraces gay scenes at the Château in connection with the festivals of the patron saints, of St. Joseph, whose anniversary occurred on the 19th March, and of St. John the Baptist, whose _fête_ happened on the 24th June. For a long time the old Château, was the meeting place of the Superior Council.