Picturesque Sketches of London, Past and PresentMiller, Thomas
Philosophy
Picturesque Sketches of London, Past and Present
Miller, Thomas
London (England) -- Description and travel
Food and raiment, household shelter and a grave, are all the Poor-Law
allows to the pauper; for there is no clause in that act permitting him
the enjoyment of the sweet air of heaven, or the open and unwalled
sunshine (the gold which God scatters down for all), beyond what blows
and beats upon the narrow court-yard in which he is doomed to walk--the
Prisoner of Poverty. The birds he there hears sing are the dirty
sparrows that roost under the soot-blackened eaves, and weary the heart
with their unchangeable chirrup. The hum of his insects is the buzz of
the bloated blue-bottle, ever hovering around, and endeavouring to blow
and spoil the morsel of meat that is doled out to him with a niggard
hand. The murmur of his streams is heard in the flushing of the
poisonous sewers. The waving of his trees, the coarse garments that
dangle on the clotheslines--for in such places it is ever washing-day.
His blue sky is the little morsel of the face of heaven which (by
straining his neck) he can see roofing the tall bare walls that surround
him. His flowers are the morsels of chickweed, the two or three
dwindling blades of grass, or the dank green moss, that shoot up beside
the damp wall, or between the fissures of the pavement. His fragrance, a
life-destroying atmosphere, a compound of all unwholesome smells.
Day after day, week after week, month after month--throughout the
budding spring--all the while the long-leaved summer reigns--when autumn
is throwing her rainbow-hues over the forest, and winter comes forth,
blowing his blue nails, and with the snow-flakes hanging on his
hair--throughout all these changes he feels but cold and heat: can only
tell when it is spring by hearing the cry of "primroses" without the
walls; summer, by the hot pavement on which he treads; autumn, by the
drawing in of the days and the chilly evenings; and winter, by the cold
that seems to eat into his very bones. This is his life; these all the
changes he knows, unless the rolling of the monotonous year is varied by
the days he never left his sick-bed, or the weeks he spent in the
hospital. The weary walls are ever the same; he has counted every
fissure in the pavement; almost every morsel of gravel is familiar to
his eye: he knows how many slabs are cracked and broken; at what hour he
shall have gruel, when a change to potatoes. Meat-days are little
feast-days; his spoon and porringer and plate his only comforters, until
sleep comes and steeps his senses in forgetfulness. He knows when it is
Sunday by receiving his clean shirt, and attending church.
Public-domain text, read in full here on John Shaqi.
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