Autobiographical fiction; Domestic fiction; Male authors -- Fiction; Men -- Fiction; Psychological fiction
And now the thicker shadows begin to fall; the place is lost to him;
only the three dim, tall lindens pilot him as he descends the hill,
hovering upon the house. He knows it not, but his meditative route is
sinuous; as if that moment his thought's stream was likewise
serpentining: laterally obstructed by insinuated misgivings as to the
ultimate utilitarian advisability of the enthusiast resolution that was
his. His steps decrease in quickness as he comes more nigh, and sees one
feeble light struggling in the rustic double-casement. Infallibly he
knows that his own voluntary steps are taking him forever from the
brilliant chandeliers of the mansion of Saddle Meadows, to join company
with the wretched rush-lights of poverty and woe. But his sublime
intuitiveness also paints to him the sun-like glories of god-like truth
and virtue; which though ever obscured by the dense fogs of earth, still
shall shine eventually in unclouded radiance, casting illustrative light
upon the sapphire throne of God.
II.
He stands before the door; the house is steeped in silence; he knocks;
the casement light flickers for a moment, and then moves away; within,
he hears a door creak on its hinges; then his whole heart beats wildly
as the outer latch is lifted; and holding the light above her
supernatural head, Isabel stands before him. It is herself. No word is
spoken; no other soul is seen. They enter the room of the double
casement; and Pierre sits down, overpowered with bodily faintness and
spiritual awe. He lifts his eyes to Isabel's gaze of loveliness and
loneliness; and then a low, sweet, half-sobbing voice of more than
natural musicalness is heard:--
"And so, thou art my brother;--shall I call thee Pierre?"
Steadfastly, with his one first and last fraternal inquisition of the
person of the mystic girl, Pierre now for an instant eyes her; and in
that one instant sees in the imploring face, not only the nameless
touchingness of that of the sewing-girl, but also the subtler expression
of the portrait of his then youthful father, strangely translated, and
intermarryingly blended with some before unknown, foreign feminineness.
In one breath, Memory and Prophecy, and Intuition tell him--"Pierre,
have no reserves; no minutest possible doubt;--this being is thy sister;
thou gazest on thy father's flesh."
"And so thou art my brother!--shall I call thee Pierre?"
He sprang to his feet, and caught her in his undoubting arms.
"Thou art! thou art!"
He felt a faint struggling within his clasp; her head drooped against
him; his whole form was bathed in the flowing glossiness of her long and
unimprisoned hair. Brushing the locks aside, he now gazed upon the
death-like beauty of the face, and caught immortal sadness from it. She
seemed as dead; as suffocated,--the death that leaves most unimpaired
the latent tranquillities and sweetnesses of the human countenance.
Public-domain text, read in full here on John Shaqi.
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