Autobiographical fiction; Domestic fiction; Male authors -- Fiction; Men -- Fiction; Psychological fiction
A small wood-fire had been kindled on the hearth to purify the
long-closed room; it was now diminished to a small pointed heap of
glowing embers. Detaching and dismembering the gilded but tarnished
frame, Pierre laid the four pieces on the coals; as their dryness soon
caught the sparks, he rolled the reversed canvas into a scroll, and tied
it, and committed it to the now crackling, clamorous flames. Steadfastly
Pierre watched the first crispings and blackenings of the painted
scroll, but started as suddenly unwinding from the burnt string that had
tied it, for one swift instant, seen through the flame and smoke, the
upwrithing portrait tormentedly stared at him in beseeching horror, and
then, wrapped in one broad sheet of oily fire, disappeared forever.
Yielding to a sudden ungovernable impulse, Pierre darted his hand among
the flames, to rescue the imploring face; but as swiftly drew back his
scorched and bootless grasp. His hand was burnt and blackened, but he
did not heed it.
He ran back to the chest, and seizing repeated packages of family
letters, and all sorts of miscellaneous memorials in paper, he threw
them one after the other upon the fire.
"Thus, and thus, and thus! on thy manes I fling fresh spoils; pour out
all my memory in one libation!--so, so, so--lower, lower, lower; now all
is done, and all is ashes! Henceforth, cast-out Pierre hath no
paternity, and no past; and since the Future is one blank to all;
therefore, twice-disinherited Pierre stands untrammeledly his
ever-present self!--free to do his own self-will and present fancy to
whatever end!"
IV.
That same sunset Lucy lay in her chamber. A knock was heard at its door,
and the responding Martha was met by the now self-controlled and
resolute face of Mrs. Glendinning.
"How is your young mistress, Martha? May I come in?"
But waiting for no answer, with the same breath she passed the maid, and
determinately entered the room.
She sat down by the bed, and met the open eye, but closed and pallid
mouth of Lucy. She gazed rivetedly and inquisitively a moment; then
turned a quick aghast look toward Martha, as if seeking warrant for some
shuddering thought.
"Miss Lucy"--said Martha--"it is your--it is Mrs. Glendinning. Speak to
her, Miss Lucy."
As if left in the last helpless attitude of some spent contortion of her
grief, Lucy was not lying in the ordinary posture of one in bed, but lay
half crosswise upon it, with the pale pillows propping her hueless form,
and but a single sheet thrown over her, as though she were so heart
overladen, that her white body could not bear one added feather. And as
in any snowy marble statue, the drapery clings to the limbs; so as one
found drowned, the thin, defining sheet invested Lucy.
"It is Mrs. Glendinning. Will you speak to her, Miss Lucy?"
The thin lips moved and trembled for a moment, and then were still
again, and augmented pallor shrouded her.
Public-domain text, read in full here on John Shaqi.
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