Autobiographical fiction; Domestic fiction; Male authors -- Fiction; Men -- Fiction; Psychological fiction
One day, in Pierre's sight, nine silent figures emerged from the door of
old Millthorpe; a coffin was put into a neighbor's farm-wagon; and a
procession, some thirty feet long, including the elongated pole and box
of the wagon, wound along Saddle Meadows to a hill, where, at last, old
Millthorpe was laid down in a bed, where the rising sun should affront
him no more. Oh, softest and daintiest of Holland linen is the motherly
earth! There, beneath the sublime tester of the infinite sky, like
emperors and kings, sleep, in grand state, the beggars and paupers of
earth! I joy that Death is this Democrat; and hopeless of all other real
and permanent democracies, still hug the thought, that though in life
some heads are crowned with gold, and some bound round with thorns, yet
chisel them how they will, head-stones are all alike.
This somewhat particular account of the father of young Millthorpe, will
better set forth the less immature condition and character of the son,
on whom had now descended the maintenance of his mother and sisters.
But, though the son of a farmer, Charles was peculiarly averse to hard
labor. It was not impossible that by resolute hard labor he might
eventually have succeeded in placing his family in a far more
comfortable situation than he had ever remembered them. But it was not
so fated; the benevolent State had in its great wisdom decreed
otherwise.
In the village of Saddle Meadows there was an institution, half
common-school and half academy, but mainly supported by a general
ordinance and financial provision of the government Here, not only were
the rudiments of an English education taught, but likewise some touch of
belles lettres, and composition, and that great American bulwark and
bore--elocution. On the high-raised, stage platform of the Saddle
Meadows Academy, the sons of the most indigent day-laborers were wont to
drawl out the fiery revolutionary rhetoric of Patrick Henry, or
gesticulate impetuously through the soft cadences of Drake's "Culprit
Fay." What wonder, then, that of Saturdays, when there was no elocution
and poesy, these boys should grow melancholy and disdainful over the
heavy, plodding handles of dung-forks and hoes?
Public-domain text, read in full here on John Shaqi.
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