Autobiographical fiction; Domestic fiction; Male authors -- Fiction; Men -- Fiction; Psychological fiction
But is Pierre packed in the mail for St. Petersburg this morning? Over
his boots are his moccasins; over his ordinary coat is his surtout; and
over that, a cloak of Isabel's. Now he is squared to his plank; and at
his hint, the affectionate Isabel gently pushes his chair closer to it,
for he is so muffled, he can hardly move of himself. Now Delly comes in
with bricks hot from the stove; and now Isabel and she with devoted
solicitude pack away these comforting stones in the folds of an old blue
cloak, a military garment of the grandfather of Pierre, and tenderly
arrange it both over and under his feet; but putting the warm flagging
beneath. Then Delly brings still another hot brick to put under his
inkstand, to prevent the ink from thickening. Then Isabel drags the
camp-bedstead nearer to him, on which are the two or three books he may
possibly have occasion to refer to that day, with a biscuit or two, and
some water, and a clean towel, and a basin. Then she leans against the
plank by the elbow of Pierre, a crook-ended stick. Is Pierre a shepherd,
or a bishop, or a cripple? No, but he has in effect, reduced himself to
the miserable condition of the last. With the crook-ended cane,
Pierre--unable to rise without sadly impairing his manifold
intrenchments, and admitting the cold air into their innermost
nooks,--Pierre, if in his solitude, he should chance to need any thing
beyond the reach of his arm, then the crook-ended cane drags it to his
immediate vicinity.
Pierre glances slowly all round him; every thing seems to be right; he
looks up with a grateful, melancholy satisfaction at Isabel; a tear
gathers in her eye; but she conceals it from him by coming very close to
him, stooping over, and kissing his brow. 'Tis her lips that leave the
warm moisture there; not her tears, she says.
"I suppose I must go now, Pierre. Now don't, don't be so long to-day. I
will call thee at half-past four. Thou shalt not strain thine eyes in
the twilight."
"We will _see_ about that," says Pierre, with an unobserved attempt at a
very sad pun. "Come, thou must go. Leave me."
And there he is left.
Public-domain text, read in full here on John Shaqi.
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