Doctor Martener struggled bravely with death, which already grasped its prey. From the first, Bianchon and the hospital surgeon had considered Pierrette doomed; and there now took place between the doctor and the disease, the former relying on Pierrette’s youth, one of those struggles which physicians alone comprehend,--the reward of which, in case of success, is never found in the venal pay nor in the patients themselves, but in the gentle satisfaction of conscience, in the invisible ideal palm gathered by true artists from the contentment which fills their soul after accomplishing a noble work. The physician strains towards good as an artist towards beauty, each impelled by that grand sentiment which we call virtue. This daily contest wiped out of Doctor Martener’s mind the petty irritations of that other contest of the Tiphaines and the Vinets,--as always happens to men when they find themselves face to face with a great and real misery to conquer. Monsieur Martener had begun his career in Paris; but the cruel activity of the city and its insensibility to its masses of suffering had shocked his gentle soul, fitted only for the quiet life of the provinces. Moreover, he was under the yoke of his beautiful native land. He returned to Provins, where he married and settled, and cared almost lovingly for the people, who were to him like a large family. During the whole of Pierrette’s illness he was careful not to speak of her. His reluctance to answer the questions of those who asked about her was so evident that persons soon ceased to put them. Pierrette was to him, what indeed she truly was, a poem, mysterious, profound, vast in suffering, such as doctors find at times in their terrible experience. He felt an admiration for this delicate young creature which he would not share with any one.