Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
The delights of movement, the extremes of rage or desire, did not appeal
to him. He was not as diversified as was Lippi; he never reached the
stolid impressiveness of Ghirlandajo, nor the ecstatic devotion of Fra
Angelico. He was not so purely illustrative as was Pinturicchio, but
very far exceeded him both in genius and in power. The emotions of
pathos were not beyond his reach, the stateliness of dignity he could
represent if he desired, but his charm is in the calm quiet of his
pictures, in their tender reverence and exquisite sweetness, in their
poetry rather than in their power. His creations are dreamy and
contemplative, full of faith, hope, and expectation, and they embody and
express the reality of a spiritual world of serene peace and
satisfaction which, in its contrast to the world around us, speaks of
the revelation of a faith that is true. His execution is masterly, his
colouring mystic and glorious, his compositions are complete and united,
his sense of decoration is excellent. He was himself sincere in his
work, and his pictures therefore embody this sincerity, and their
teaching is to lift the soul from sordid thoughts, and to raise it to
Heaven itself.
FOOTNOTES:
[N] In this same year 1510, Perugino painted a "Virgin and Child between
St. Peter and St. Paul," for Agostino Spinola of Savona, Bishop of
Perugia.
[O] A letter dated 30th March 1512, and written from Città della Pieve,
already mentioned, is in existence, and proves not only his presence in
the town in that year but that the St. Agostino altar-piece was at that
time in hand, although not finished till 1521.
CHAPTER X
SAINT SEBASTIAN
There is a tradition in Umbria that upon two occasions Perugino painted
miniatures on vellum, and that these works formed pages in two missals
or Books of Hours. Several times the story was repeated to me, in
Florence, in Perugia, and in other places, and it appears that at one
time manuscript evidence of the fact existed in Rome, and may still
exist. Of one of these pages I can give no information, as the most
diligent inquiry has failed to identify it; but the other one, the
earlier of the two, according to the Roman story, is now in England.
Public-domain text, read in full here on John Shaqi.
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