Pietro Vannucci, called PeruginoWilliamson, George C.
History
Pietro Vannucci, called Perugino
Williamson, George C.
Perugino, approximately 1450-1523
_It was purchased by the South Kensington Museum in 1862 from Mr. W.
B. Spence of Florence, and is now lent to the National Gallery._
BRITISH MUSEUM.
=Study for the figures of Tobias and the Angel.= Brown and green.
=Study for the Head of a bearded Saint or Prophet.= Black and white on
brown.
=Study for a Virgin and Child.=
=Study for an angel playing on a Violin.=
=Study of a Female Saint kneeling with clasped hands= (and draperies).
Her head-dress is twisted, and there is embroidery on her robe.
Brown heightened with white.
=Study for an Adoration of the Magi.=
=Study for a Pietà.=
There are two other drawings labelled Perugino which I cannot
accept, and one in the Malcolm collection which is of Perugino's
school.
CHRIST CHURCH, OXFORD.
A large finished pen drawing representing the =Deposition of Our Lord=,
in the Pitti Gallery 164.
=A Study of an Archer.=
A bistre pen drawing for the St. Sebastian at Panicale.
=A Study for the Archangel and Tobias=, in the picture No. 288 in the
National Gallery.
WINDSOR CASTLE COLLECTION.
=Study for a figure of the Sleeping Disciple=, in the Mount of Olives
picture in the Accademia, Florence.
A pen drawing in bistre.
=Study for the figures of two Sleeping Disciples= for the same picture.
A pen drawing in bistre.
=Study of a Female Head.=
Bistre heightened with white.
=Study for the Armour of the figure of St. Michael=, in the picture No.
288 in the National Gallery.
=Study of a Female Head.=
Attributed to Perugino.
=Study for the Fresco= in the Sistine Chapel in the Vatican of the
Delivery to St. Peter of the keys.
=F. A. WHITE, Esq., QUEEN'S GATE, S.W.=
=The Resurrection.= Panel. 10 × 17. Old Masters, 1892. No. 154.
Christ standing upon the open tomb bearing a banner in his left hand.
Around, four soldiers, three sleeping and the fourth moving away in an
attitude of surprise.
_From the Dudley Collection._
CAPTAIN G. L. HOLFORD, C.I.E., DORCHESTER HOUSE.
=Virgin and Child.= Panel. 19 × 13.
The Virgin is seated, having the divine Child, who is nude, erect
upon her knees.
LORD WANTAGE, V.C.
=St. Sebastian and St. Jerome.= Two Panels each. 17 × 7. Old Masters,
1886. No. 197.
St. Sebastian is bound to a tree, and St. Jerome stands erect with a
stone in his hand, and behind him is a lion.
_From an altar-piece._
=L. HARDY, Esq., M.P.=
=Saint in Prayer.= Panel. 31 × 11.
Figure of a saint to the left with clasped hands.
LORD ALDENHAM, ST DUNSTAN'S, REGENT'S PARK, N.W.
=Virgin and Child.= Panel. 13 × 11. Old Masters, 1886. No. 176.
The Virgin is seated, and has the divine Child on her knees, and she
is holding His left hand.
LORD BATTERSEA, SURREY HOUSE, MARBLE ARCH, W.
=Head of a Saint.= Panel. 13 × 10.
Bust facing, black dress with gold edging.
THE EARL OF DUDLEY'S COLLECTION.
Public-domain text, read in full here on John Shaqi.
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