Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
The iron pans in which the vermilion is sublimed are those referred to
above; they are circular and hemispherical in shape; all are of the
same size and weight; they are cast upside down, and in the casting,
a runner or lump of iron, two and three-eighths inches in diameter
by from six-eighths to one inch in depth, is purposely left on every
pan in order to enable the workman the more readily to handle the pan
when stirring up its contents. The size of the pans proved by actual
measurement to be 29¼ inches in diameter, by 8⅞ inches deep, and the
weight 40 catties, or say about 53 lb.
These pans are set in rows of 5 or 6 on each side of a small
rectangular room, in size some 12 feet by 15 feet; the door of this
room is of wood and contains an aperture a few inches square in order
to enable the workman to watch the progress of his operation, from
time to time, without the necessity of lowering the temperature of the
apartment by opening the door. The pans are set in brickwork, each
pan having beneath it a grate to hold the charcoal used as fuel. There
is no communication between the grates or furnaces under each pan, and
no chimney, the flames and products of combustion finding exit from
the front of the grate, which is left wholly open at all stages of the
operation.
The process of manufacture is as follows:--Taking an iron pan which
is of 4 inches smaller diameter than those described, and also in
all other respects proportionally less, except the runner, which is
of the same size, a skilled workman proceeds to weigh out 17⅓ lb. of
sulphur. This he places in the pan, and adds about half the contents
of a bottle of quicksilver. The pan with its contents is then put upon
a small earthen brazier or portable furnace, the fuel used in which is
charcoal. When the sulphur is sufficiently melted, the workman, taking
an iron spatula or stirrer, rapidly stirs up the quicksilver with the
sulphur, and gradually adds the remaining contents of the bottle of
quicksilver, stirring the two ingredients together meanwhile until the
mercury has wholly disappeared, or “been killed,” as the Chinese put it.
When this takes place, the pan is removed from the fire, a small
quantity of water is added, and rapidly stirred up with the contents
of the pan, which have now assumed a dark blood-red appearance and
semi-crystalline structure. This mass is then turned out of the pan
into an iron mortar, and then broken up into a coarse powder. This
forms a charge for one of the large pans previously described, and when
sufficient material has been prepared to charge all the pans in one
furnace chamber the sublimation is proceeded with as follows:--
Public-domain text, read in full here on John Shaqi.
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