Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
The most eminent authorities have recently shown that the dried film
of linseed oil, unless united with a pigment that combines chemically
and forms a water-proof coating with it, actually absorbs water very
much like a sponge. Where water will go air will also go, and we thus
have in direct contact with the iron oxide of the paint, which does
not combine chemically with oil, those elements, air, moisture, and
organic matter, which cause the iron to become a carrier of oxygen and
a destroyer of what it is in contact with. It is well known that iron
paint darkens with age; this is caused largely by the iron oxide losing
oxygen, which is partly transferred to the oil, burning it up and
destroying its tenacity, as may be seen by examining iron structures
painted for some time with iron paint or metallic brown, the paint
being found extremely brittle and in feathery scales. This is not
all the damage that is done. The iron oxide in the paint becomes a
carrier of oxygen to the very metal it was designed to protect, and the
process of corrosion is commenced and carried on under the paint, which
eventually peels or scales off, the surface of the metal being found
more or less oxidised and corroded.
Asphalt and iron oxide being thus shown to be entirely incapable of
preserving the iron, it remains for us to consider the effect of red
lead. This pigment has the property of forming with linseed oil a hard
elastic coating, clinging with great tenacity to the metal. It has no
oxidising effect on iron, and does not act as a carrier of oxygen from
the atmosphere after the paint has set, neither does it render the
oil brittle nor promote rust. When red lead fails, it is principally
by gradual wear or friction from the outside. It does not scale or
blister, which both asphalt and iron oxide paints will do, thereby
requiring a thorough scraping and removal of old material before a new
coat can be applied. Any red lead pigment adhering to the metal forms
a permanent base for subsequent paintings, and is utilised in further
preserving the metal. The U.S. Government specifications for ironwork
in the new Library Building of Congress provide that “all the work
not Bower-Barffed must be given one coat of pure red lead paint--not
metallic paint of any kind, but pure red lead--before leaving the shop
and becoming rusted.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account