Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
“An intimate mixture of Glauber’s salts, china clay, and coal or rosin,
finely ground together, was placed in crucibles and baked or burned in
an oven for about six hours. It was then transferred to iron trays,
and heated with flowers of sulphur to the point where the sulphur took
fire, when it was allowed to burn itself out. By this second process
the green was converted into blue. It was then washed, ground with
water, and settled out, the first deposit being of a darker shade than
the second, and the colour becoming lighter as the powder settled was
finer in grind. This is essentially the method employed now at many
German works--those at Marienberg, for instance--and produces what is
known as “sulphate ultramarine,” distinguished by its pale shade and
almost _greenish_ blue tint.
“There are, however, some objections to the indirect process, and it
was considered advisable to find a plan by which ultramarine could be
made in bulk in a muffle furnace. The following is a method which is
employed at the present time in some of the German works:--
“A mixture of china clay, carbonate of soda, sulphate of soda, sulphur,
sand and charcoal or rosin, finely ground together, are placed upon
the floor of a muffle furnace, being pressed down so as to present an
even surface. The mixture is then entirely enclosed with fire-clay
tiles, the spaces between which are filled in with thin mortar. When
the oven is so charged, the front is built up, a small hole being left
for watching the temperature of the flue between the tiles and the top
of the furnace, and for drawing samples during the process, which is
done through a corresponding hole in the front of the fire-clay tiles,
temporarily closed with a fire-clay stopper. The oven is now heated,
slowly at first, and afterwards more strongly, so that at the end
of eight or nine hours it is at a dull red heat. It is kept at this
temperature for about 24 hours, when the heat is raised so that a clear
red glow is obtained, which is kept up to the end of the operation.
“For the purpose of taking a sample, an iron spoon borer is introduced
through the hole left in the enclosing tiles, turned round, and pulled
out. The contents are laid on a clean tile, and quickly covered with
another tile, on which a second quantity is placed, and allowed to
remain exposed to the air. If the oven has been sufficiently heated the
covered sample should appear of a bluish green, and no longer brown
or yellow, while the second sample should be rather bluer. If this be
the case, the oven is heated slowly for another hour, and then all
communication with the outer air is cut off. It is allowed to cool and
then opened, when the contents should appear as a beautiful blue mass,
the lower portion of which, however, is of a greenish tinge. Both parts
are now treated alike, but worked up separately, the greenish-blue
portion making an inferior article. The finishing process is as
follows:--
Public-domain text, read in full here on John Shaqi.
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