Pigments, Paint and Painting: A practical book for practical menTerry, George
Science
Pigments, Paint and Painting: A practical book for practical men
Terry, George
Paint; Painting, Industrial; Pigments
In reply to various questions which were asked in the discussion which
ensued, Mr. Rawlins said that, with regard to the use of ammonia
soda, it had frequently been used in the manufacture of ultramarine,
and was constantly used he understood, but he himself had not much
experience of it. As far as he could make out, it certainly produced
ultramarine, but of a darker shade than that made with Leblanc soda.
It could not be supposed, in works where the Leblanc soda was used,
that ammonia soda could conveniently be substituted, for of course
a works when established had to adhere to its known standards and
shades, and it would not do to change the raw materials, though the
ammonia soda produced a very good ultramarine. As regards the discovery
of ultramarine, the first works started anywhere were Guimet’s. He
had with him a little historical list containing the dates at which
the various works established before 1866 or a little later had been
started. It was drawn out by Hoffmann, who, as he stated before, was
the manager of large ultramarine works, and he put down Guimet’s,
which were started in 1829, first on the list. Dr. Leverkus started in
1834. He knew that the discovery of ultramarine had been attributed
to different people. He had mentioned Guimet because it had generally
been considered, as far as he had heard, that Guimet and Gmelin were
the two who discovered it from a manufacturing point of view. He had
heard of crystals of ultramarine, but had never seen any, and he knew
they were very difficult to prepare, and very rare. He had mentioned
that the grinding had to be done very thoroughly, because the better it
was mixed and the finer it was ground, the better was the ultramarine
produced. If it was badly mixed it was quite fatal to getting a good
result. Grinding lightens the colour. Raw ultramarine must be ground
before it was practicable to use it at all. For instance, a coarse
ultramarine could not be used for printing calico. Therefore it was
necessary to grind it both for the sake of the colour and for the
sake of the way in which it was applied. It was increased in value by
grinding because it made it stronger and finer. Before grinding it was
of a dark colour, but after grinding it became lighter and brighter.
The materials employed in McIvor’s process for making ultramarine
are kaolin or other suitable clay, a solution of sulphide of sodium,
in which sulphur in the form of flowers of sulphur is dissolved to
saturation, and caustic or carbonate of soda.
Public-domain text, read in full here on John Shaqi.
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