Pilgrimages to the Spas in Pursuit of Health and Recreation: With an inquiry into the comparative merits of different mineral waters: the maladies to which they are applicable, and those in which they are injuriousJohnson, James
Science
Pilgrimages to the Spas in Pursuit of Health and Recreation: With an inquiry into the comparative merits of different mineral waters: the maladies to which they are applicable, and those in which they are injurious
Johnson, James
Balneology; Health resorts; Mineral waters
Although Saxony is a Protestant _state_, it is a Catholic _kingdom_, and
therefore there is a good sprinkling of sacred subjects in the Dresden
galleries. The intentions of delineating the mysteries of our holy
religion on canvas, may be pious, but the attempt to do so is little less
than impious. What required the miraculous power of a Deity to effect,
is not likely to be imitated in oil and colours by the hands of MAN. The
great truths of RELIGION are addressed to the heart rather than to the
eye—to the internal feelings rather than to the external senses—to faith
rather than to demonstration. Let the painter beware how he tries to
reduce _these_ to sensible and visible representations!
Be this as it may, the stranger will always find artists and artistes
busy in copying Bellini’s “CHRIST”—Titian’s “Tribute Money”—the same
painter’s “Mistress”—Veccio’s “Virgin and Infant”—P. Veronese’s
“Adoration of the Virgin and Child”—“The Finding of Moses”—Giorgione’s
“Meeting of Jacob and Rachael”—“The Marriage of the Doges of Venice with
the Sea”—the “Four Doctors of the Church,” by Dosso Dossi—Raphael’s
“MADONNA DE SAN SISTO,” the jewel of the gallery, which was bought
for £8000—Corregio’s “Virgin and Child”—the “Virgin and Infant in
the Manger,” the second gem of Dresden paintings,—the “Recumbent
Magdalene”—“the Sacrifice of Isaac,”—“Venus and Bacchus”—Rubens’ “Descent
of the Fallen Angels”—Van Dyk’s “Charles I. and Family”—Rembrandt’s “Own
Self and Wife”—Poussin’s “Discovery of Moses in the Bullrushes”—Claud’s
“Acis and Galatea,” &c. These and scores of others are in perpetual
transition from the walls of the galleries to the easels of the
copyists—hence a common complaint that such collections as these give the
highest encouragement to imitators, and almost annihilate originality.
THE GREEN VAULTS.
This royal toy-shop—this magnificent museum of costly curiosities,
might satiate the eyes and appetites of all the Arabian princes and
princesses—of all the Persian shaws and Peruvian monarchs, that ever
lived—nay, it might leave the GRAND MOGUL himself (could his court be
re-established in Hindostan) nothing to wish for or want!
Public-domain text, read in full here on John Shaqi.
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