Pink and White Tyranny: A Society NovelStowe, Harriet Beecher
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Pink and White Tyranny: A Society Novel
Stowe, Harriet Beecher
Married people -- Fiction; New England -- Fiction
IF ever our readers have observed two chess-players, both ardent,
skilful, determined, who have been carrying on noiselessly the moves
of a game, they will understand the full significance of this decisive
term.
Up to this point, there is hope, there is energy, there is enthusiasm;
the pieces are marshalled and managed with good courage. At last,
perhaps in an unexpected moment, one, two, three adverse moves follow
each other, and the decisive words, _check-mate_, are uttered.
This is a symbol of what often goes on in the game of life.
Here is a man going on, indefinitely, conscious in his own heart that
he is not happy in his domestic relations. There is a want of union
between him and his wife. She is not the woman that meets his wants
or his desires; and in the intercourse of life they constantly cross
and annoy each other. But still he does not allow himself to look the
matter fully in the face. He goes on and on, hoping that to-morrow
will bring something better than to-day,—hoping that this thing, or
that thing or the other thing will bring a change, and that in some
indefinite future all will round and fashion itself to his desires.
It is very slowly that a man awakens from the illusions of his first
love. It is very unwillingly that he ever comes to the final conclusion
that he has made _there_ the mistake of a whole lifetime, and that the
woman to whom he gave his whole heart not only is not the woman that he
supposed her to be, but never in any future time, nor by any change of
circumstances, will become that woman,—that the difficulty is radical
and final and hopeless.
In “The Pilgrim’s Progress,” we read that the poor man, Christian,
tried to persuade his wife to go with him on the pilgrimage to the
celestial city; but that finally he had to make up his mind to go
alone without her. Such is the lot of the man who is brought to the
conclusion, positively and definitely, that his wife is always to be
a hinderance, and never a help to him, in any upward aspiration; that
whatever he does that is needful and right and true must be done, not
by her influence, but in spite of it; that, if he has to swim against
the hard, upward current of the river of life, he must do so with her
hanging on his arm, and holding him back, and that he cannot influence
and cannot control her.
Such hours of disclosure to a man are among the terrible hidden
tragedies of life,—tragedies such as are never acted on the stage. Such
a time of disclosure came to John the year after Grace’s marriage; and
it came in this way:—
Public-domain text, read in full here on John Shaqi.
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