The travellers soon settled in a _rocinha_, or country-house, a mile and
half from Pará, and close to the forest, which came down to their doors.
Like other towns along the Amazons, Pará stands on ground cleared from
the forest that stretches, a well-nigh pathless jungle of luxuriant
primeval vegetation, two thousand miles inland. In that paradise of the
naturalist, the collectors gathered consignments which met with ready
sale in London, and thus spent a couple of years in pursuits moderately
remunerative and wholly pleasurable, till, on reaching Barra, at the
mouth of the Rio Negro, one thousand miles from Pará, in March, 1850,
Bates and Wallace, who was accompanied by his younger brother, parted
company, "finding it more convenient to explore separate districts and
collect independently." Wallace took the northern parts and tributaries
of the Amazons, and Bates kept to the main stream, which, from the
direction it seems to take at the fork of the Rio Negro, is called the
Upper Amazons or the Solimoens. Different in character and climatic
conditions from the Lower Amazons, it flows through a "vast plain about
a thousand miles in length, and five hundred or six hundred miles in
breadth covered with one uniform, lofty, impervious, and humid forest."
Bates stayed in the country till June, 1859, but Wallace left in 1852,
and in the following year published an account of his journey under the
title of Travels on the Amazon and Rio Negro. That book was written
under the serious disadvantage of the destruction of the greater part of
the notes and specimens by the burning of the ship in which Mr. Wallace
took passage on his homeward voyage. That it remains one of the select
company of works of travel for which demand is continuous is evidenced
in a reprint which appeared in 1891. If it affords few hints of the
author's bent of mind toward the question of the origin of species, it
shows what interest was being aroused within him over the allied subject
of the geographical distribution of plants and animals which Mr. Wallace
was to make so markedly his own.
Public-domain text, read in full here on John Shaqi.
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