Why did the image thus spread out? If it were due to irregularities in the glass a second prism should rather increase them, but a second prism when held in appropriate position was able to neutralise the dispersion and to reproduce the simple round white spot without deviation. Evidently the spreading out of the beam was connected in some definite way with its refraction. Could it be that the light particles after passing through the prism travelled in variously curved lines, as spinning racquet balls do? To examine this he measured the length of the oval patch when the screen was at different distances from the prism, and found that the two things were directly proportional to each other. Doubling the distance of the screen doubled the length of the patch. Hence the rays travelled in straight lines from the prism, and the spreading out was due to something that occurred within its substance. Could it be that white light was compound, was a mixture of several constituents, and that its different constituents were differently bent? No sooner thought than tried. Pierce the screen to let one of the constituents through and interpose a second prism in its path. If the spreading out depended on the prism only it should spread out just as much as before, but if it depended on the complex character of white light, this isolated simple constituent should be able to spread out no more. It did not spread out any more: a prism had no more dispersive power over it; it was deflected by the appropriate amount, but it was not analysed into constituents. It differed from sunlight in being simple. With many ingenious and beautifully simple experiments, which are quoted in full in several books on optics, he clinched the argument and established his discovery. White light was not simple but compound. It could be sorted out by a prism into an infinite number of constituent parts which were differently refracted, and the most striking of which Newton named violet, indigo, blue, green, yellow, orange, and red. [Illustration: FIG. 64.--A single constituent of white light, obtained by the use of perforated screens is capable of no more dispersion.] At once the true nature of colour became manifest. Colour resided not in the coloured object as had till now been thought, but in the light which illuminated it. Red glass for instance adds nothing to sunlight. The light does not get dyed red by passing through the glass; all that the red glass does is to stop and absorb a large part of the sunlight; it is opaque to the larger portion, but it is transparent to that particular portion which affects our eyes with the sensation of red. The prism acts like a sieve sorting out the different kinds of light. Coloured media act like filters, stopping certain kinds but allowing the rest to go through. Leonardo's and all the ancient doctrines of colour had been singularly wrong; colour is not in the object but in the light.