It is warm, for the recent rain combined with the heat which is
about eighty, makes the atmosphere stifling; but we are the only
ones who seem to notice it. As we ride through the streets towards
our destination, the buildings and the layout of the city resemble
a fairyland description of beauty and perfection. Everything is so
spotlessly clean that it seems to sparkle.
The foliage of the trees and shrubs is of lacy pattern, while those
that have blossoms are draped with garlands of flowers. There are
different varieties but they are all of lace-like structure.
The buildings glow with a soft iridescence. Along the wide boulevards
are statues of exquisite workmanship which act as illuminating
standards.
Our conveyance has stopped and we are in front of the Council Building.
It is dazzling to our sight for its rails and doors seem to be made of
gold.
Immediately in answer to our thought came the reply, "It is gold, what
you men of Earth call gold. Here on Venus gold and silver are more
abundant than any other metal. Since gold does not tarnish it is used
for ornamentation and many purposes. Because of their abundance, these
metals are used for pipe lines to carry water and utilities to homes
and buildings. They are alloyed with more scarce metals for hardening.
Should these ever become scarce in natural resources, we can easily
manufacture them."
To enter the building we ascend four wide stone terraces. On the first
is the symbol of the Earth; the Moon is on the second terrace; the
third symbolizes Mars, while the top terrace is of Venus. We now stand
upon a large veranda that seems to be made of Mother-of-Pearl, but it
is cushioned when we stop upon it. On either side of the massive gold
doors are pillars of alabaster while above the doors are symbols of
Saturn and Jupiter. Above these and to either side are symbols which we
cannot read.
Entering the building, we find ourselves in a round room of vast size.
There must be about ten thousand people seated in this room. In the
center of the room is a large round table at which we are seated. From
the center of this table extends a torch-like pedestal from which
brilliant lights go forth in four directions, focused upon statues of
the Deity like we saw on Mars. One is to the north, another to the
south, a third is to the east and the other to the west. In the center
of the torch is a ray shooting directly upward to a portrait of the
Deity beautifully painted at the top of the immense dome of gold and
silver inlay. About this figure are murals representing the vastness of
the universe with its many solar systems, with each solar system having
a mural of one of its planet's inhabitants.
Public-domain text, read in full here on John Shaqi.
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